The burden of Mrs. Manson Mingott's flesh had long since made it impossible for her to go up and down stairs, and with characteristic independence she had made her reception rooms upstairs and established herself (in flagrant violation of all the New York proprieties) on the ground floor of her house; so that, as you sat in her sitting-room window with her, you caught (through a door that was always open, and a looped-back yellow damask portiere) the unexpected vista of a bedroom with a huge low bed upholstered like a sofa, and a toilet-table with frivolous lace flounces and a gilt-framed mirror.
Her visitors were startled and fascinated by the foreignness of this arrangement, which recalled scenes in French fiction, and architectural incentives to immorality such as the simple American had never dreamed of. That was how women with lovers lived in the wicked old societies, in apartments with all the rooms on one floor, and all the indecent propinquities that their novels described. It amused Newland Archer (who had secretly situated the love-scenes of "Monsieur de Camors" in Mrs. Mingott's bedroom) to picture her blameless life led in the stage-setting of adultery; but he said to himself, with considerable admiration, that if a lover had been what she wanted, the intrepid woman would have had him too.
To the general relief the Countess Olenska was not present in her grandmother's drawing-room during the visit of the betrothed couple. Mrs. Mingott said she had gone out; which, on a day of such glaring sunlight, and at the "shopping hour," seemed in itself an indelicate thing for a compromised woman to do. But at any rate it spared them the embarrassment of her presence, and the faint shadow that her unhappy past might seem to shed on their radiant future. The visit went off successfully, as was to have been expected. Old Mrs. Mingott was delighted with the engagement, which, being long foreseen by watchful relatives, had been carefully passed upon in family council; and the engagement ring, a large thick sapphire set in invisible claws, met with her unqualified admiration.
"It's the new setting: of course it shows the stone beautifully, but it looks a little bare to old-fashioned eyes," Mrs. Welland had explained, with a conciliatory side-glance at her future son-in-law.
"Old-fashioned eyes? I hope you don't mean mine, my dear? I like all the novelties," said the ancestress, lifting the stone to her small bright orbs, which no glasses had ever disfigured. "Very handsome," she added, returning the jewel; "very liberal. In my time a cameo set in pearls was thought sufficient. But it's the hand that sets off the ring, isn't it, my dear Mr. Archer?" and she waved one of her tiny hands, with small pointed nails and rolls of aged fat encircling the wrist like ivory bracelets. "Mine was modelled in Rome by the great Ferrigiani. You should have May's done: no doubt he'll have it done, my child. Her hand is large--it's these modern sports that spread the joints--but the skin is white.--And when's the wedding to be?" she broke off, fixing her eyes on Archer's face.