"But not your Aunt Julia" he urged. "Your Aunt Julia----"

"I don't care whether she does than any other aunt I got," said Florence. "All of 'em's just aunts, and that's all there is to it."

"But, Florence, your Aunt Julia----"

"She's nothin' in the world but my aunt," Florence insisted, and her emphasis showed that she was trying hard to make him understand. "She's just the same as all of 'em. I don't get anything more from her than I do from any the rest of 'em."

Her auditor was dumfounded, but not by Florence's morals. The cold-blooded calculation upon which her family affections seemed to be founded, this aboriginal straightforwardness of hers, passed over him. What shocked him was her appearing to see Julia as all of a piece with a general lot of ordinary aunts. Helplessly, he muttered again: "But your Aunt Julia----"

"There she is now," said Florence, pointing to the window nearest them. "They've stopped dancing for a while so's that ole Mister Clairdyce can get a chance to sing somep'n. Mamma told me he was goin' to."

Dashing chords sounded from a piano invisible to Noble and his companion; the windows exhibited groups of deferentially expectant young people; and then a powerful barytone began a love song. From the yard the singer could not be seen, but Julia could be: she stood in the demurest attitude; and no one needed to behold the vocalist to know that the scoundrel was looking pointedly and romantically at her.

"Dee-urra-face that holds soswee tasmile for me,

Wairyew nah tmine how darrrk the worrrl dwooed be!"

To Noble, suffering at every pore, this was less a song than a bellowing; and in truth the confident Mr. Clairdyce did "let his voice out," for he was seldom more exhilarated than when he shook the ceiling. The volume of sound he released upon his climaxes was impressive, and the way he slid up to them had a great effect, not indoors alone, but upon Florence, enraptured out under the trees.

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"Oh, isn't it be-you-tiful!" she murmured.

Her humid eyes were fixed upon Noble, who was unconscious of the honour. Florence was susceptible to anything purporting to be music, and this song moved her. Throughout its delivery from Mr. Clairdyce's unseen chest, her large eyes dwelt upon Noble, and it is not at all impossible that she was applying the tender words to him, just as the vehement Clairdyce was patently addressing them to Julia. On he sang, while Noble, staring glassily at the demure lady, made a picture of himself leaping unexpectedly through the window, striding to the noisy barytone, striking him down, and after stamping on him several times, explaining: "There! That's for your insolence to our hostess!" But he did not actually permit himself these solaces; he only clenched and unclenched his fingers several times, and continued to listen.




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