Although Sackett was polite, efficient, and thorough, Joshua realized that the FBI was not going to solve the case in a few days--not unless the Bruno Frye imposter walked into their office and confessed. This was not an urgent matter to them. In a country plagued by various crackpot terrorist groups, organized crime families, and corrupt politicians, the resources of the FBI could not be brought fully to bear on an eighteen-thousand-dollar case of this sort. More likely than not, Sackett would be the only agent on it full-time. He would begin slowly, with background checks on everyone involved; and then he would conduct an exhaustive survey of banks in northern California, to see if Bruno Frye had any other secret accounts. Sackett wouldn't get to St. Helena for a day or two. And if he didn't come up with any leads in the first week or ten days, he might thereafter handle the case only on a part-time basis.
When the agent finished asking questions, Joshua turned to Ronald Preston and said, "Sir, I trust that the missing eighteen thousand will be replaced in short order."
"Well...." Preston nervously fingered his prim little mustache. "We'll have to wait until the FDIC
approves the claim." Joshua looked at Sackett. "Am I correct in assuming the FDIC will wait until you can assure them that neither I nor any beneficiary of the estate conspired to withdraw that eighteen thousand dollars?"
"They might," Sackett said. "After all, this is a highly unusual case."
"But quite a lot of time could pass before you're able to give them such assurances," Joshua said.
"We wouldn't make you wait beyond a reasonable length of time," Sackett said. "At most, three months."
Joshua sighed. "I had hoped to settle the estate quickly."
Sackett shrugged. "Maybe I won't need three months. It could all break fast. You never know. In a day or two, I might even turn up this guy who's a dead ringer for Frye. Then I'd be able to give the FDIC an all-clear signal."
"But you don't expect to solve it that fast."
"The situation is so bizarre that I can't commit myself to deadlines," Sackett said.
"Damnation," Joshua said wearily.
A few minutes later, as Joshua crossed the cool marble-floored lobby on his way out of the bank, Mrs. Willis called to him. She was on duty at a teller's cage. He went to her, and she said, "You know what I'd do if I were you?"
"What's that?" Joshua asked.
"Dig him up. That man you buried. Dig him up."
"Bruno Frye?"
"You didn't bury Mr. Frye." Mrs. Willis was adamant; she pressed her lips together and shook her head back and forth, looking very stern. "No. If there's a double for Mr. Frye, he's not the one who's up walking around. The double is the one who's six feet under with a slab of granite for a hat. The real Mr. Frye was here last Thursday. I'd swear to that in any court. I'd stake my life on it."
"But if it wasn't Frye who was killed down in Los Angeles, then where is the real Frye now? Why did he run away? What in the name of God is going on?"
"I don't know about that," she said. "I only know what I saw. Dig him up, Mr. Rhinehart. I believe you'll find that you've buried the wrong man."
***
At 3:20 Wednesday afternoon, Joshua landed at the county airport just outside the town of Napa.
With a population of forty-five thousand, Napa was far from being a major city, and in fact it partook of the wine country ambiance to such an extent that it seemed smaller and cozier than it really was; but to Joshua, who was long accustomed to the rural peace of tiny St. Helena, Napa was as noisy and bothersome as San Francisco had been, and he was anxious to get out of the place.
His car was parked in the public lot by the airfield, where he had left it that morning. He didn't go home or to his office. He drove straight to Bruno Frye's house in St. Helena.
Usually, Joshua was acutely aware of the incredible natural beauty of the valley. But not today.
Now he drove without seeing anything until the Frye property came into view.
Part of Shade Tree Vineyards, the Frye family business, occupied fertile black flat land, but most of it was spread over the gently rising foothills on the west side of the valley. The winery, the public tasting room, the extensive cellars, and the other company buildings--all fieldstone and redwood and oak structures that seemed to grow out of the earth--were situated on a large piece of level highland, near the westernmost end of the Frye property. All the buildings faced east, across the valley, toward vistas of seriated vines, and all of them were constructed with their backs to a one-hundred-sixty-foot cliff, which had been formed in a distant age when earth movement had sheered the side off the last foothill at the base of the more precipitously rising Mayacamas Mountains.
Above the cliff, on the isolated hilltop, stood the house that Leo Frye, Katherine's father, had built when he'd first come to the wine country in 1918. Leo had been a brooding Prussian type who had valued his privacy more than almost anything else. He looked for a building site that would provide a wide view of the scenic valley plus absolute privacy, and the clifftop property was precisely what he wanted. Although Leo was already a widower in 1918, and although he had only one small child and was not, at that time, contemplating another marriage, he nevertheless constructed a large twelve-room Victorian house on top of the cliff, a place with many bay windows and gables and a lot of architectural gingerbread. It overlooked the winery that he established, later, on the highland below, and there were only two ways to reach it. The first approach was by aerial tramway, a system comprised of cables, pulleys, electric motors, and one four-seat gondola that carried you from the lower station (a second-floor corner of the main winery building) to the upper station (somewhat to the north of the house on the clifftop). The second approach was by way of a double-switch back staircase fixed to the face of the cliff. Those three hundred and twenty steps were meant to be used only if the aerial tramway broke down--and then only if it was not possible to wait until repairs were made. The house was not merely private; it was remote.
As Joshua turned from the public road onto a very long private drive that led to the Shade Tree winery, he tried to recall everything he knew about Leo Frye. There was not much. Katherine had seldom spoken of her father, and Leo had not left a great many friends behind.
Because Joshua hadn't come to the valley until 1945, a few years after Leo's death, he'd never met the man, but he'd heard just enough tales about him to form a picture of the sort of mind that hungered for the excessive privacy embodied in that clifftop house. Leo Frye had been cold, stern, somber, self-possessed, obstinate, brilliant, a bit of an egomaniac, and an iron-handed authoritarian. He was not unlike a feudal lord from a distant age, a medieval aristocrat who preferred to live in a well-fortified castle beyond the easy reach of the unwashed rabble.
Katherine had continued to live in the house after her father died. She raised Bruno in those high-ceilinged rooms, a world far removed from that of the child's contemporaries, a Victorian world of waist-high wainscoting and flowered wallpaper and crenelated molding and footstools and mantel clocks and lace tablecloths. Indeed, mother and son lived together until he was thirty-five years old, at which time Katherine died of heart disease.
Now, as Joshua drove up the long macadam lane toward the winery, he looked above the fieldstone and wood buildings. He raised his eyes to the big house that stood like a giant cairn atop the cliff.
It was strange for a grown man to live with his mother as long as Bruno had lived with Katherine.
Naturally, there had been rumors, speculations. The consensus of opinion in St. Helena was that Bruno had little or no interest in girls, that his passions and affections were directed secretly toward young men. It was assumed that he satisfied his desires during his occasional visits to San Francisco, out of sight of his wine country neighbors. Bruno's possible homosexuality was not a scandal in the valley. Local people didn't spend a great deal of time talking about it; they didn't really care. Although St. Helena was a small town, it could claim more than a little sophistication; winemaking made it so.
But now Joshua wondered if the consensus of local opinion about Bruno had been wrong. Considering the extraordinary events of the past week, it was beginning to appear as if the man's secret had been much darker and infinitely more terrible than mere homosexuality.
Immediately after Katherine's funeral, deeply shaken by her death, Bruno had moved out of the house on the cliff. He took his clothes, as well as large collections of paintings, metal sculptures, and books, which he had acquired on his own; but he left behind everything that belonged to Katherine. Her clothes were left hanging in closets and folded in drawers. Her antique furniture, paintings, porcelains, crystals, music boxes, enameled boxes--all of those things (and much more) could have been sold at auction for a substantial sum. But Bruno insisted that every item be left exactly where Katherine had put it, undisturbed, untouched. He locked the windows, drew the blinds and drapes, closed and bolt-locked the exterior shutters on both the first and second floors, locked the doors, sealed the place tight, as if it were a vault in which he could preserve forever the memory of his adoptive mother.
When Bruno had rented an apartment and had begun to make plans for the construction of a new house in the vineyards, Joshua had tried to persuade him that it was foolish to leave the contents of the cliff house unattended. Bruno insisted that the house was secure and that its remoteness made it an unlikely target of burglars--especially since burglary was an almost unheard-of crime in the valley. The two approaches to the house--the switchback stairs and the aerial tramway--were deep in Frye property, behind the winery: and the tramway operated only with a key. Besides (Bruno had argued) no one but he and Joshua knew that a great many items of value remained in the old house.
Bruno was adamant; Katherine's belongings must not be touched; and finally, reluctantly, unhappily, Joshua surrendered to his client's wishes.
To the best of Joshua's knowledge, no one had been in the cliff house for five years, not since the day that Bruno had moved out. The tramway was well-maintained, even though the only person who rode it was Gilbert Ulman, a mechanic employed to keep Shade Tree Vineyards' trucks and farm equipment in good shape; Gil also had the job of regularly inspecting and repairing the aerial tramway system, which required only a couple of hours a month. Tomorrow, or Friday at the latest, Joshua would have to take the cable car to the top of the cliff and open the house, every door and window, so that it could air out before the art appraisers arrived from Los Angeles and San Francisco on Saturday morning.
At the moment, Joshua was not the least bit interested in Leo Frye's isolated Victorian redoubt; his business was at Bruno's more modern and considerably more accessible house. As he drew near the end of the road that led to the winery's public parking lot, he turned left, onto an extremely narrow driveway that struck south through the sun-splashed vineyards. Vines crowded both sides of the cracked, raggedy-edged blacktop. The pavement led him down one hill, across a shallow glen, up another slope, and ended two hundred yards south of the winery, in a clearing, where Bruno's house stood with vineyards on all sides. It was a large, single-story, ranch-style, redwood and fieldstone structure shaded by one of the nine mammoth oak trees that dotted the huge property and gave the Frye company its name.
Joshua got out of the car and walked to the front door of the house. There were only a few high white clouds against the electric-blue sky. The air flowing down from the piney heights of the Mayacamas was crisp and fresh.
He unlocked the door, stepped inside, and stood in the foyer for a moment, listening. He wasn't sure what he expected to hear.
Maybe footsteps.
Or Bruno Frye's voice.
But there was only silence.
He went from one end of the house to the other in order to get to Frye's study. The decor was proof that Bruno had acquired Katherine's obsessive compulsion to collect and hoard beautiful things. On some walls, so many fine paintings were hung so close together that their frames touched, and no single piece could claim the eye in that exquisite riot of shape and color.
Display cases stood everywhere, filled with art glass and bronze sculpture and crystal paperweights and pre-Columbian statuary. Every room contained far too much furniture, but each piece was a matchless example of its period and style. In the huge study, there were five or six hundred rare books, many of them limited editions that had been bound in leather; and there were a few dozen perfect little scrimshaw figures in a display case; and there were six terribly expensive and flawless crystal balls, one as small as an orange, one as large as a basketball, the others in various sizes between.
Joshua pulled back the drapes at the window, letting in a little light, switched on a brass lamp, and sat in a modern spring-backed office chair behind an enormous 18th century English desk. From a jacket pocket he withdrew the strange letter that he had found in the safe-deposit box at the First Pacific United Bank. It was actually just a Xerox; Warren Sackett, the FBI agent, insisted on keeping the original. Joshua unfolded the copy and propped it up where he could see it. He turned to the low typing stand that was beside the desk, pulled it over his lap, rolled a clean sheet of paper into the typewriter, and quickly tapped out the first sentence of the letter.
My mother, Katherine Anne Frye, died five years ago, but she keeps coming back to life in new bodies.
He held the Xerox copy next to the sample and compared them. The type was the same. In both versions, the loop of the lower case "e" was completely filled in with ink because the keys hadn't been properly cleaned in quite a while. In both, the loop of the lower case "a" was partially occluded, and the lower case "d" printed slightly higher than any of the other characters. The letter had been typed in Bruno Frye's study, on Bruno Frye's machine.
The look-alike, the man who had impersonated Frye in that San Francisco bank last Thursday, apparently possessed a key to the house. But how had he gotten it? The most obvious answer was that Bruno had given it to him, which meant that the man was an employee, a hired double.
Joshua leaned back in the chair and stared at the Xerox of the letter, and other questions exploded like fireworks in his mind. Why had Bruno felt it necessary to hire a double? Where had he found such a remarkable look-alike? How long ago did the double start to work for him? Doing what? And how often had he, Joshua, spoken to this doppelganger, thinking the man was really Frye?
Probably more than once. Perhaps more often than he'd spoken with the real Bruno. There was no way of knowing. Had the double been here, in the house, Thursday morning, when Bruno had died in Los Angeles? Most likely. After all, this was where he had typed the letter that he'd put in the safe-deposit box, so this must be where he had heard the news. But how had he learned about the death so quickly? Bruno's body had been found next to a public telephone.... Was it possible that Bruno's last act had been to call home and talk to his double? Yes. Possible. Even probable. The telephone company's records would have to be checked. But what had those two men said to each other as the one died? Could they conceivably share the same psychosis, the belief that Katherine had come back from the grave?