Her hatred for Earl and Emma was as strong now as it had been when they were alive, for it was their influence that made her unable to express her feelings to Tony. She wondered what she would have to do to break the chains that they had put on her.
For a while, she and Tony lay in bed, holding each other, saying nothing because nothing needed to be said.
Ten minutes later, at four-thirty in the morning, she said, "I should be getting home."
"Stay."
"Are you capable of doing more?"
"God, no! I'm wiped out. I just want to hold you. Sleep here." he said.
"If I stay, we won't sleep."
"Are you capable of doing more?"
"Unfortunately, dear man, I'm not. But I've got things to do tomorrow, and so have you. And we're much too excited and too full of each other to get any rest so long as we're sharing a bed. We'll keep touching like this, talking like this, resisting sleep like this."
"Well," he said, "we've got to learn to spend the night together. I mean, we're going to be spending a lot of them in the same bed, don't you think?"
"Many, many," she said. "The first night's the worst. We'll adjust when the novelty wears off.
I'll start wearing curlers and cold cream to bed."
"And I'll start smoking cigars and watching Johnny Carson."
"Such a shame," she said.
"Of course, it'll take a bit of time for the freshness to wear off."
"A bit," she agreed.
"Like fifty years."
"Or sixty."
They delayed her leaving for another fifteen minutes, but finally she got up and dresssed. Tony pulled on a pair of jeans. In the living room, as they walked toward the door, she stopped and stared at one of his paintings and said, "I want to take six of your best pieces to Wyant Stevens in Beverly Hills and see if he'll handle you."
"He won't."
"I want to try."
"That's one of the best galleries."
"Why start at the bottom?"
He stared at her, but he seemed to be seeing someone else. At last, he said, "Maybe I should jump."
"Jump?"
He told her about the impassioned advice he had received from Eugene Tucker, the black ex-convict who was now designing dresses.
"Tucker is right," she said. "And this isn't even a jump. It's only a little hop. You're not quitting your job with the police department or anything. You're just testing the waters."
Tony shrugged. "Wyant Stevens will turn me down cold, but I guess I don't lose anything by giving him the chance to do it."
"He won't turn you down," she said. "Pick out half a dozen paintings you feel are most representative of your work. I'll try to get us an appointment with Wyant either later today or tomorrow."
"You pick them out right now," he said. "Take them with you. When you get a chance to see Stevens, show them to him."
"But I'm sure he'll want to meet you."
"If he likes what he sees, then he'll want to meet me. And if he does like it, I'll be happy to go see him."
"Tony, really--"
"I just don't want to be there when he tells you it's good work but only that of a gifted amateur."
"You're impossible."
"Cautious."
"Such a pessimist."
"Realist."
She didn't have time to look at all of the sixty canvases that were stacked in the living room.
She was surprised to learn that he had more than fifty others stored in closets, as well as a hundred pen and ink drawings, nearly as many watercolors, and countless preliminary pencil sketches. She wanted to see all of them, but only when she was well-rested and fully able to enjoy them. She chose six of the twelve pieces that hung on the living room walls. To protect the paintings, they carefully wrapped them in lengths of an old sheet, which Tony tore apart for that purpose.
He put on a shirt and shoes, helped her carry the bundles to her car, where they stashed them in the trunk.
She closed and locked the trunk, and they looked at each other, neither of them wanting to say goodbye.
They were standing at the edge of a pool of light cast by a twenty-foot-high sodium-vapor lamp. He kissed her chastely.
The night was chilly and silent. There were stars.
"It'll be dawn before long," he said.
"Want to sing 'Two Sleepy People' with me?"
"I'm a lousy singer," he said.
"I doubt it." She leaned against him. "Judging from my experience, you're excellent at everything you do."
"Bawdy."
"I try to be."
They kissed again, and then he opened the driver's door for her.
"You're not going to work today?" she asked.
"No. Not after ... Frank. I have to go in and write up a report, but that'll take only an hour or so. I'm taking a few days. I've got a lot of time coming to me."
"I'll call you this afternoon."
"I'll be waiting," he said.
She drove away from there on empty early-morning streets. After she had gone a few blocks, her stomach began to growl with hunger, and she remembered that she didn't have the fixings for breakfast at home. She'd intended to do her grocery shopping after the man from the telephone company had gone, but then she'd heard from Michael Savatino and had rushed to Tony's place. She turned left at the next corner and went to an all-night market to pick up eggs and milk.
***
Tony figured Hilary wouldn't need any more than ten minutes to get home on the deserted streets, but he waited fifteen minutes before he called to find out if she had made the trip safely. Her phone didn't ring. All he got was a series of computer sounds--the beeps and buzzes that comprised the language of smart machines--then a few clicks and snaps and pops, then the hollow ghostly hissing of a missed connection. He hung up, dialed once more, being careful to get every digit right, but again the phone would not ring.
He was certain that the new unlisted number he had for her was correct. When she had given it to him, he had double-checked to be sure he'd gotten it right. And she read it off a carbon copy of the telephone company work order, which she had in her purse, so there wasn't any chance she was mistaken about it.
He dialed the operator and told her his problem. She tried to ring the number for him, but she couldn't get through, either.
"Is it off the hook?" he asked.
"It doesn't seem to be."
"What can you do?"
"I'll report the number out of order," she said. "Our service department will take care of it."
"When?"
"Does this number belong to either an elderly person or an invalid?"
"No," he said.
"Then it falls under normal service procedures," she said. "One of our servicemen will look into it sometime after eight o'clock this morning."
"Thank you."
He put down the receiver. He was sitting on the edge of the bed. He stared pensively at the rumpled sheets where Hilary had lain, looked at the slip of paper on which her new number was written.
Out of order?
He supposed it was possible that the serviceman had made a mistake when he'd switched Hilary's phones yesterday afternoon. Possible. But not probable. Not very likely at all.
Suddenly, he thought of the anonymous caller who had been bothering her. A man who did that sort of thing was usually weak, ineffectual, sexually stunted; almost without exception, he was incapable of having a normal relationship with a woman, and he was generally too introverted and frightened to attempt rape. Usually. Almost without exception. Generally. But was it conceivable that this crank was the one out of a thousand who was dangerous?
Tony put one hand on his stomach. He was beginning to feel queasy.
If bookmakers in Las Vegas had been taking bets on the likelihood of Hilary Thomas becoming the target of two unconnected homicidal maniacs in less than a week, the odds against would have been astronomical. On the other hand, during his years with the Los Angeles Police Department, Tony had seen the improbable happen again and again; and long ago he had learned to expect the unexpected.
He thought of Bobby Valdez. Naked. Crawling out of that small kitchen cabinet. Eyes wild. The pistol in his hand.
Outside the bedroom window, even though first light still had not touched the eastern sky, a bird cried. It was a shrill cry, rising and falling and rising again as the bird swooped from tree to tree in the courtyard; it sounded as if it was being pursued by something very fast and very hungry and relentless.
Sweat broke out on Tony's brow.
He got up from the bed.
Something was happening at Hilary's place. Something was wrong. Terribly wrong.
***
Because she stopped at the all-night market to buy milk, eggs, butter, and a few other items, Hilary didn't get home until more than half an hour after she left Tony's apartment. She was hungry and pleasantly weary. She was looking forward to a cheese omelet with a lot of finely chopped parsley--and then at least six uninterrupted hours of deep, deep sleep. She was far too tired to bother putting the Mercedes in the garage: she parked in the circular driveway.
The automatic lawn sprinklers sprayed water over the dark grass, making a cool hissing-whistling sound. A breeze rustled the palm fronds overhead.
She let herself into the house by the front entrance. The living room was pitch-black. But having anticipated a late return, she had left the foyer light burning when she'd gone out. Inside, she held the bag of groceries in one arm, closed and double-locked the door.
She switched on the living room ceiling light and took two steps out of the foyer before she realized that the place had been destroyed. Two table lamps were smashed, the shades torn to shreds. A glass display case lay in thousands of sharp pieces on the carpet; and the expensive limited-edition porcelains that had been in it were ruined: they were reduced to worthless fragments, thrown down on the stone hearth and ground underfoot. The sofa and armchairs were ripped open; chunks of foam and wads of cotton padding material were scattered all over the floor.
Two wooden chairs, which apparently had been smashed repeatedly against one wall, were now only piles of kindling, and the wall was scarred. The legs were broken off the lovely little antique corner desk; all of the drawers were pulled from it and the bottoms knocked out of them. Every painting was still where she'd put it, but each hung in unrepairable ribbons. Ashes had been scooped out of the fireplace and smeared over the beautiful Edward Fields carpet. Not a single piece of furniture or decoration had been overlooked; even the fireplace screen had been kicked apart, and all of the plants had been jerked out of their pots and torn to bits.
Hilary was dazed at first, but then her shock gave way to anger at the vandals. "Son of a bitch,"
she said between clenched teeth.
She had passed many happy hours personally choosing every item in the room. She spent a small fortune on them, but it wasn't the cost of the wreckage that disturbed her; most of it was covered by insurance. However, there was sentimental value that could not be replaced, for these were the first really nice things that she had ever owned, and it hurt to lose them. Tears shimmered at the corners of her eyes.
Numb, disbelieving, she walked farther into the rubble before she realized that she might be in danger. She stopped, listened. The house was silent.
An icy shiver raced up her spine, and for one horrible instant she thought she felt someone's breath against the nape of her neck.
She whirled, looked behind her.
No one was there.
The foyer closet, which had been closed when she'd come into the house, was still closed. For a moment, she stared at it expectantly, afraid that it would open. But if anyone had been hiding in there, waiting for her to arrive, he would have come out by now.
This is absolutely crazy, she thought. It can't happen again. It just can't. That's preposterous.
Isn't it?
There was a noise behind her.
With a soft cry of alarm, she turned and threw up her free arm to fend off the attacker.
But there was no attacker. She was still alone in the living room.
Nevertheless, she was convinced that what she had heard was not something so innocent as a naturally settling beam or floorboard. She knew she was not the only person in the house. She sensed another presence.
The noise again.
In the dining room.
A snapping. A tinkling. Like someone taking a step on broken glass or shattered china.
Then another step.
The dining room lay beyond an archway, twenty feet from Hilary. It was as black as a grave in there.
Another step: tinkle-snap.
She started to back up, cautiously retreating from the source of the noise, edging toward the front door, which now seemed a mile away. She wished she hadn't locked it.
A man moved out of the perfect darkness of the dining room, into the penumbral area beneath the archway, a big man, tall, and broad in the shoulders. He paused in the gloom for a second, then stepped into the brightly lit living room.
"No!" Hilary said.
Stunned, she stopped backing toward the door. Her heart leapt, and her mouth went dry, and she shook her head back and forth, back and forth: no, no, no.
He was holding a large and wickedly sharp knife. He grinned at her. It was Bruno Frye.
***
Tony was thankful that the streets were empty, for he couldn't have tolerated any delay. He was afraid he was already too late.
He drove hard and fast, north on Santa Monica, then west on Wilshire, putting the Jeep up to seventy miles an hour by the time he reached the first downslope just outside the Beverly Hills city limits, engine screaming, windows and loose dashboard knobs vibrating tinnily. At the bottom of the hill, the traffic light was red. He didn't brake. He pressed the horn in warning and flew through the intersection. He slammed across a shallow drainage channel in the street, a broad depression that was almost unnoticeable at thirty-five miles an hour, but at his speed it felt like a yawning ditch beneath him; for a fraction of a second he actually was airborne, thumping his head into the roof in spite of the restraining harness that he wore. The Jeep came back to the pavement with a bang, a many-voiced chorus of rattles and clanks, and a sharp bark of tortured rubber. It began to slue to the left, its rear end sliding around with a blood-chilling screech, smoke curling up from the protesting tires. For an electrifying instant, he thought he was going to lose control, but then abruptly the wheel was his again, and he was more than halfway up the next hill without realizing how he'd gotten there.