I had heard this woman termed "plain," and I expected bony harshness and grimness--something large, angular, sallow. What I saw was the shadow of a royal Vashti: a queen, fair as the day once, turned pale now like twilight, and wasted like wax in flame.
For awhile--a long while--I thought it was only a woman, though an unique woman, Who moved in might and grace before this multitude. By- and-by I recognised my mistake. Behold! I found upon her something neither of woman nor of man: in each of her eyes sat a devil. These evil forces bore her through the tragedy, kept up her feeble strength --for she was but a frail creature; and as the action rose and the stir deepened, how wildly they shook her with their passions of the pit! They wrote HELL on her straight, haughty brow. They tuned her voice to the note of torment. They writhed her regal face to a demoniac mask. Hate and Murder and Madness incarnate she stood.
It was a marvellous sight: a mighty revelation.
It was a spectacle low, horrible, immoral.
Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public--a milder condiment for a people's palate--than Vashti torn by seven devils: devils which cried sore and rent the tenement they haunted, but still refused to be exorcised.
Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor, in finite measure, resenting it: she stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster--like silver: rather, be it said, like Death.
Where was the artist of the Cleopatra? Let him come and sit down and study this different vision. Let him seek here the mighty brawn, the muscle, the abounding blood, the full-fed flesh he worshipped: let all materialists draw nigh and look on.
I have said that she does not resent her grief. No; the weakness of that word would make it a lie. To her, what hurts becomes immediately embodied: she looks on it as a thing that can be attacked, worried down, torn in shreds. Scarcely a substance herself, she grapples to conflict with abstractions. Before calamity she is a tigress; she rends her woes, shivers them in convulsed abhorrence. Pain, for her, has no result in good: tears water no harvest of wisdom: on sickness, on death itself, she looks with the eye of a rebel. Wicked, perhaps, she is, but also she is strong; and her strength has conquered Beauty, has overcome Grace, and bound both at her side, captives peerlessly fair, and docile as fair. Even in the uttermost frenzy of energy is each maenad movement royally, imperially, incedingly upborne. Her hair, flying loose in revel or war, is still an angel's hair, and glorious under a halo. Fallen, insurgent, banished, she remembers the heaven where she rebelled. Heaven's light, following her exile, pierces its confines, and discloses their forlorn remoteness.