His eyes were still glowing with the heat of controversy, but he gravely said: "I hope you will give me another opportunity to discuss this matter. It is very important to me."

"Certainly, with pleasure," answered Serviss, glad to rid himself of the discussion of the moment.

As Viola stood slowly turning the leaves of her music, three loud knocks sounded upon the inner door, as if an insistent neighbor had entered and signalled for help. The mother rose and went out hurriedly, but the clergyman merely glanced after her, and said to the girl: "You would better play, Viola."

The girl dashed into a stormy Polish march, which she played very well, but with a mechanical precision which seemed to offend Clarke, who rose and laid his hand on her arm. "Wait, you're not in the mood yet." He turned to Serviss. "The spirit of our discussion is upon her. She is very sensitive to such things. I will sing first--if you don't object," he added, in a new tone, a touch of apology in his voice, and he gave out the effect of addressing an unseen auditor--some one in the inner room.

"I shall be delighted," replied Serviss, with formal politeness, though he began to apprehend something morbidly forbidding in the minister and in his influence on the girl. An extraordinary intimacy was revealed, not so much in the words he spoke as in the tones he used. "Here is the girl's lover," he decided.

There was no timidity or hesitation in Viola's manner as she struck the first chords of an old ballad, and Clarke, transformed by a new and lofty mood, sang, with notable beauty of phrasing, "The Banks o' Ben Lomond." Something in the melancholy of the lover's cry seemed to fit with this singular young preacher's mood. His voice searched the heart, his eyes misted with feeling, and when he finished Serviss applauded most fervently, "Bravo!" and impulsively offered his hand.

"My dear fellow, you have a wonderful voice. You are the one to go to New York; you'd make Carolus look to his laurels. Sing something else--something of Strauss. Do you know Strauss?"

Clarke smiled with wistful sadness. "I sing very few ballads. My voice was given me to use in Christ's service, not for the gratification of my pride."

Serviss recoiled before this sanctimonious speech, and the light went out of his face. A disgust which he could not entirely conceal crossed his lips. "My dear sir, you can't serve the Lord better than by singing beautiful songs to the weary people of this earth. To wear out a voice like that on pinchbeck hymn tunes is a crime." Then, as if becoming conscious of a neglect of the girl, he added: "Now that you are in the mood, Miss Lambert, you must try that sonata again."




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