In this mood, sustained by the memory of her anguished face, he sent a telegram to Lambert, urging him to come at once to the relief of his wife and daughter.
He did not appreciate the full force of this act until he left the office and resumed his walk homeward. Then, like a shock from a battery, came the realisation. "I have now definitely intervened; but how weakly, how ingloriously!"
This thought grew less agreeable and more humiliating as he dwelt upon the possible consequences. "Will Lambert remember me? Will he take my warning to heart?"
In imagination he followed the small envelope as it passed to the hand of a messenger and started up that fearsome, splendid trail towards the mill. The world was stern and cold and white and still up there in the Basin--winter yet reigned in majesty and the pathways were deep sunk in heaped and sculptured snows.
Up to the half-buried office the courier would ride, and with a cheery halloo call Lambert to the door. What would he think upon receiving such an imperative summons from a stranger? "Did I make the situation clear? He may imagine that some dire physical disaster has overtaken his women. But that would be true. Their peril is none the less real because intangible, and yet my part in it may not seem either wise or manly."
In truth every step towards his own door removed him an emotional league from the scene in the hall, and as the throb of Viola's agonized voice died out of his ears the crisis in her life grew hysteric, unsubstantial, and at last unreal. Her gestures, her plea for help, her descent of the stairway, came to seem like the climaxes in a singular drama powerfully acted. "God! what an actress--if she is an actress!" he exclaimed, as the tragic intensity of her face returned upon him.
He passed from this to the next phase of his development. In a certain good-humored way he had accepted his friend Tolman's theories of hypnotic control, but had never taken them into serious account till this moment. He was forced now to admit the entire truth of "suggestion" or to charge this girl, whose character so bewitched him, with being an impostor. She was either a marvellous artist in deception or Clarke controlled her through some sinister and little-understood law of the mind. What else could have brought her creeping like a somnambulist down the stairway to demonstrate her tormentor's demoniacal sovereignty? And if he could call her to him in such wise, then all the weird tales of the romancers, all the half-mythical doings of Mesmer and Charcot, were true, and the feet of Bulwer Lytton's remorseless lover solidly set upon the rock of fact.