And I thanked him.
But part of me wasn’t so sure that I wanted good luck, at the moment. It was one thing, I thought, to ask questions, and look for the answers. It might be another to actually find them.
In the end, I decided the Duke of Hamilton would be the safest subject for my research. I did need to learn more about the man, since it appeared he was going to play a key role, whether onstage or off, in my novel. And I knew I’d have no trouble finding information on him down in Edinburgh.
I’d been there several times already, doing research for this book, but always I’d just flown across from France and stayed a few days in the flat that Jane still kept there for her use when she went down each month to work out of the office of her literary agency. Her agency was large and based in London, but she’d worked for them so long and so effectively that, when she’d married Alan, they had in effect created a new office for her private use, in Edinburgh. Since then, a few more agents had moved up to work in Scotland, so she didn’t feel the pressure to come down from Peterhead as often as she had before, but she still came enough to need the flat.
It was a tidy little place, two rooms, conveniently central. If I’d wanted to, I could have walked the short way down to Holyroodhouse, which had stood in its imposing park for centuries behind its great iron gates. I could have walked around it, or even tried to get permission to tour the old apartments of the Duke of Hamilton himself, to get more detail for the scenes that happened there between Sophia and the duke at the beginning of my story.
But I didn’t.
I would never have admitted that I stayed away in part because I didn’t want to know what those rooms looked like, didn’t want to take the chance that they, too, might be just the way I had imagined them.
Instead, I told myself I simply didn’t have the time this week for sightseeing—I had too many documents to slog through.
So it was that Wednesday morning found me settled in the record office reading room, a comfortably familiar environment, happily sifting through the Duke of Hamilton’s private correspondence.
The letters that he’d written and received gave me a clearer picture of the man—his double-edged role as the patriot and the betrayer, though I doubted he’d have ever judged himself like that. He’d simply served himself, I thought, before all others. His political and personal decisions, which so many of his own friends, in their letters, claimed they could not fathom, all could be reduced with mathematical precision to that one common denominator: what would best advance the duke’s ambition.
Always short of money, he had married an heiress with large estates in England, and he hadn’t been likely to do anything to irritate the English into cutting off that prime source of his income. He gave speeches in the parliament against the Union, but when others wanted to oppose with force instead of words, he held them back with empty promises until their opportunity was lost, and so made certain that the Union went ahead. He had not been a stupid man, and in his letters he’d left no clear evidence that he’d been bribed by England to support the vote for Union, but I knew, just from his character, that he would not have risked his reputation if he hadn’t stood to gain by it.
I knew exactly whom the countess had been speaking of to Hooke in that last scene I’d written, when she’d said, ‘He is suspected of holding a correspondence with the court of London…’
Someone coughed.
I looked up from my work, and saw a youngish female clerk who looked a little nervous. ‘You’re…excuse me, but you’re Carolyn McClelland, aren’t you?’
‘Yes, I am.’ I smiled politely, understanding now. She was a fan.
‘I’ve read your books,’ she told me. ‘Every one of them. They’re marvelous.’
‘Well, thank you. That’s so nice to hear.’
‘I love the history. Well, I would. That’s why I work here. But you make it come to life, you really do.’
I thanked her once again, and meant it. When a person cared enough to stop and tell me that they liked my books, I valued that connection. Since I wrote in isolation, just me and my computer, it was good to be reminded there were readers at the end of that long process who enjoyed the stories. And it was because of readers like this young clerk, after all, that my books had been successful.
So I put my pencil down, and asked her, ‘What’s your name?’
‘Kirsty.’
‘One of the characters in my new book is named Kirsty.’
She beamed. ‘Is this for your new book, the research you’re doing?’ She glanced at my table. ‘The Hamilton papers?’
‘Yes, the 4th duke is one of my characters, too, so I’m getting my facts straight.’ The people around us appeared to be packing up. I stole a glance at my watch. It was closing time. Where had the day gone, I wondered?
‘I feel like I’ve only just started,’ I told the girl Kirsty, and smiled. ‘Guess I’ll have to come back in the morning.’
Which made her look more pleased. ‘Do you think…’ she started, then broke off and tried again. ‘If I brought one of my books in…’
I knew what she was asking me. ‘Of course. Bring whatever you have, I’ll be happy to sign them.’
‘Oh, that would be wonderful.’
I had so clearly made her day that I left feeling happy, too, if humbled.
When I came back to the record office first thing the next morning, I felt humbled even more. It wasn’t only that she’d brought my novels in for me to sign—all hardback copies, obviously read and re-read many times—but she’d gone to the trouble of arranging an assortment of materials she’d thought I might find useful in my research. ‘They’re mostly papers, family papers, that have some connection to your Duke of Hamilton. The letters aren’t by anybody famous, and most people wouldn’t know that they were here, but I remember someone else was looking up the duke last year and said that these were very helpful.’