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"This was very uncharacteristic of me, to leave in temper, to break off abruptly and depart. I had never done that sort of thing when I was a mortal man. But as I've said, I was on the edge of madness, the first madness many of us suffer, especially those who have been brought into this by force.

"I went back to my little house near the great library of Alexandria, and I lay down on my bed as if I could really let myself fall asleep there and escape from this thing.

"'Idiot nonsense,' I murmured to myself.

"But the more I thought about the story, the more it made sense. It made sense that something was in my blood impelling me to drink more blood. It made sense that it heightened all sensations, that it kept my body -- a mere imitation now of a human body-functioning when it should have come to a stop. And it made sense that this thing had no mind of its own but was nevertheless a power, an organization of force with a desire to live all its own.

"And then it even made sense that we could all be connected to the Mother and the Father because this thing was spiritual, and had no bodily limits except the limits of the individual bodies in which it had gained control. It was the vine, this thing, and we were the flowers, scattered over great distances, but connected by the twining tendrils that could reach all over the world.

"And this was why we gods could hear each other so well, why I could know the others were in Alexandria, even before they called to me. It was why they could come and find me in my house, why they could lead me to the secret door.

"All right. Maybe it was true. And it was an accident, this melding of an unnamed force and a human body and mind to make the New Thing as the Elder had said.

"But still -- I didn't like it.

"I revolted against all of it because if I was anything, I was an individual, a particular being, with a strong sense of my own rights and prerogatives. I could not realize that I was host to an alien entity. I was still Marius, no matter what had been done to me.

"I was left finally with one thought and one thought only: if I was connected to this Mother and Father then I must see them, and I must know that they were safe. I could not live with the thought that I could die at any moment on account of some alchemy I could neither control nor understand.

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"But I didn't return to the underground temple. I spent the next few nights feasting on blood until my miserable thoughts were drowned in it, and then in the early hours I roamed the great library of Alexandria, reading as I had always done.

"Some of the madness dissolved in me. I stopped longing for my mortal family. I stopped being angry at that cursed thing in the cellar temple, and I thought rather of this new strength I possessed. I would live for centuries: I would know the answers to all kinds of questions. I would be the continual awareness of things as time passed! And as long as I slew only the evildoer, I could endure my blood thirst, revel in it, in fact. And when the appropriate time came, I would make my companions and make them well.

"Now what remained? Go back to the Elder and find out where he had put the Mother and the Father. And see these creatures for myself. And do the very thing the Elder had threatened, sink them so deep into the earth that no mortal could ever find them and expose them to the light.

"Easy to think about this, easy to imagine them as so simply dispatched.

"Five nights after I'd left the Elder, when all these thoughts had had time to develop in me, I lay resting in my bedroom, with the lamps shining through the sheer bed curtains as before. In filtered and golden light, I listened to the sounds of sleeping Alexandria, and slipped into thin and glittering waking dreams. I wondered if the Elder would come to me again, disappointed that I had not returned -- and as the thought came clear to me, I realized that someone was standing in the doorway again.

"Someone was watching me. I could feel it. To see this person I had but to turn my head. And then I would have the upper hand with the Elder. I would say, 'So you've come out of loneliness and disillusionment and now you want to tell me more, do you? Why don't you go back and sit in silence to wound your wraithlike companions, the brotherhood of the cinders?' Of course I wouldn't say such a thing to him. But I wasn't above thinking about it and letting him -- if he was the one in the doorway -- hear these thoughts.

"The one who was there did not go away.

"And slowly I turned my eyes in the direction of the door, and it was a woman I saw standing there. And not merely a woman, but a magnificent bronze-skinned Egyptian woman as artfully bejeweled and dressed as the old queens, in fine pleated linen, with her black hair down to her shoulders and braided with strands of gold. An immense force emanated from her, an invisible and commanding sense of her presence, her occupation of this small and insignificant room.

"I sat up and moved back the curtains, and the lamps in the room went out. I saw the smoke rising from them in the dark, gray wisps like snakes coiling towards the ceiling and then gone. She was still there, the remaining light defining her expressionless face, sparkling on the jewels around her neck and in her large almond-shaped eyes. And silently she said:

"Marius, take us out of Egypt.

"And then she was gone.

"My heart was knocking in me uncontrollably. I went into the garden looking for her. I leapt over the wall and stood alone listening in the empty unpaved street.

"I started to run towards the old section where I had found the door. I meant to get into the underground temple and find the Elder and tell him that he must take me to her, I had seen her, she had moved, she had spoken, she had come to me! I was delirious, but when I reached the door, I knew that I didn't have to go down. I knew that if I went out of the city into the sands I could find her. She was already leading me to where she was.

"In the hour that followed I was to remember the strength and the speed I'd known in the forests of Gaul, and had not used since. I went out from the city to where the stars provided the only light, and I walked until I came to a ruined temple, and there I began to dig in the sand. It would have taken a band of mortals several hours to discover the trapdoor, but I found it quickly, and I was able to lift it, which mortals couldn't have done.

"The twisting stairs and corridors I followed were not illuminated. And I cursed myself for not bringing a candle, for being so swept off my feet by the sight of her that I had rushed after her as if I were in love.

"'Help me, Akasha,' I whispered. I put my hands out in front of me and tried not to feel mortal fear of the blackness in which I was as blind as an ordinary man.

"My hands touched something hard before me. And I rested, catching my breath, trying to command myself. Then my hands moved on the thing and felt what seemed the chest of a human statue, its shoulders, its arms. But this was no statue, this thing, this thing was made of something more resilient than stone. And when my hand found the face, the lips proved just a little softer than all the rest of it, and I drew back.

"I could hear my heart beat. I could feel the sheer humiliation of cowardice. I didn't dare say the name Akasha. I knew that this thing I had touched had a man's form. It was Enkil.

"I closed my eyes, trying to gather my wits, form some plan of action that didn't include turning and running like a madman, and I heard a dry, crackling sound, and against my closed lids saw fire.

"When I opened my eyes, I saw a blazing torch on the wall beyond him, and his dark outline looming before me, and his eyes animate, and looking at me without question, the black pupils swimming in a dull gray light. He was otherwise lifeless, hands limp at his sides. He was ornamented as she had been, and he wore the glorified dress of the pharaoh and his hair too was plaited with gold. His skin was bronze all over, as hers had been, enhanced, as the Elder had said. And he was the incarnation of menace in his stillness as he stood staring at me.

"In the barren chamber behind him, she sat on a stone shelf, with her head at an angle, her arms dangling, as if she were a lifeless body flung there. Her linen was smeared with sand, her sandaled feet caked with it, and her eyes were vacant and staring. Perfect attitude of death.

"And he like a stone sentinel in a royal tomb blocked my path.

"I could hear no more from either of them than you heard from them when I took you down to the chamber here on the island. And I thought I might expire on the spot from fear.

" Yet there was the sand on her feet and on her linen. She'd come to me! She had!

"But someone had come into the corridor behind me. Someone was shuffling along the passage, and when I turned, I saw one of the burnt ones -- a mere skeleton, this one, with black gums showing and the fangs cutting into the shiny black raisin skin of his lower lip.

"I swallowed a gasp at the sight of him, his bony limbs, feet splayed, arms jiggling with every step. He was plowing towards us, but he did not seem to see me. He put his hands up and shoved at Enkil.

"'No, no, back into the chamber!' he whispered in a low, crackling voice. 'No, no!' and each syllable seemed to take all he had. His withered arms shoved at the figure. He couldn't budge it.

"'Help me!' he said to me. 'They have moved. Why did they move? Make them go back. The further they move, the harder it is to get them back.'

"I stared at Enkil and I felt the horror that you felt to see this statue with life in it, seemingly unable or unwilling to move. And as I watched the spectacle grew even more horrible, because the blackened wraith was now screaming and scratching at Enkil, unable to do anything with him. And the sight of this thing that should have been dead wearing itself out like this, and this other thing that looked so perfectly godlike and magnificent just standing there, was more than I could bear.

" 'Help me!' the thing said. 'Get him back into the chamber. Get them back where they must remain.'

"How could I do this? How could I lay hands on this being? How could I presume to push him where he did not wish to go?

"'They will be all right, if you help me,' the thing said. 'They will be together and they will be at peace. Push on him. Do it. Push! Oh, look at her, what's happened to her. Look.'

" 'All right, damn it!' I whispered, and overcome with shame, I tried. I laid my hands again on Enkil and I pushed at him, but it was impossible. My strength meant nothing here, and the burnt one became all the more irritating with his useless ranting and shoving.

"But then he gasped and cackled and threw his skeletal arms up in the air and backed up.

"'What's the matter with you!' I said, trying not to scream and run. But I saw soon enough.

"Akasha had appeared behind Enkil. She was standing directly behind him and looking at me over his shoulder, and I saw her fingertips come round his muscular arms. Her eyes were as empty in their glazed beauty as they had been before. But she was making him move, and now came the spectacle of these two things walking of their own volition, he backing up slowly, feet barely leaving the ground, and she shielded by him so that I saw only her hands and the top of her head and her eyes.

"I blinked, trying to clear my head.

"They were sitting on the shelf again, together, and they had lapsed into the same posture in which you saw them downstairs on this island tonight.

"The burnt creature was near to collapse. He had gone down on his knees, and he didn't have to explain to me why. He had found them many a time in different positions, but he had never witnessed their movement. And he had never seen her as she had been before.

"I was bursting with the knowledge of why she had been as she was before. She had come to me. But there was a point at which my pride and exhilaration gave way to what it should have been: overwhelming awe, and finally grief.

"I started to cry. I started to cry uncontrollably as I had not cried since I had been with the old god in the grove and my death had occurred, and this curse, this great luminous and powerful curse, had descended on me. I cried as you cried when you first saw them. I cried for their stillness and their isolation, and this horrible little place in which they stared forward at nothing or sat in darkness while Egypt died above.

"The goddess, the mother, the thing, whatever she was, the mindless and silent or helpless progenitor was looking at me. Surely it wasn't an illusion. Her great glossy eyes, with their black fringe of lashes, were fixed upon me. And there came her voice again, but it had nothing of its old power, it was merely the thought, quite beyond language, inside my head.

"Take us out of Egypt, Marius. The Elder means to destroy us. Guard us, Marius. Or we perish here.

" 'Do they want blood?' the burnt one cried. 'Did they move because they would have sacrifice?' the dried one begged.

" 'Go get them a sacrifice,' I said.

" "I cannot now. I haven't the strength. And they won't give their healing blood to me. Would they but allow me a few drops, my burnt flesh might restore itself, the blood in me would be replenished, and I should bring them glorious sacrifices. . . "

"But there was an element of dishonesty in this little speech, because they didn't desire glorious sacrifices anymore.

" 'Try again to drink their blood,' I said and this was horribly selfish of me. I just wanted to see what would happen.

"Yet to my humiliation, he did approach them, bent over and weeping, begging them to give their powerful blood, their old blood, so that his burns might heal faster, saying that he was innocent, he had not put them in the sand -- it had been the Elder -- please, please, would they let him drink from the original fount.

"And then ravenous hunger consumed him. And convulsing, he distended his fangs as a cobra might and he shot forward, his black claws out, to the neck of Enkil.

"Enkil's arm rose as the Elder said it would, and it flung the burnt one across the chamber on his back before it returned to its proper place.

"The burnt one was sobbing and I was even more ashamed. The burnt one was too weak to hunt for victims or bring victims. I had urged him on to this to see it. And the gloom of this place, the gritty sand on the floor, the barrenness, the stink of the torch, and the ugly sight of the burnt one writhing and crying, all this was dispiriting beyond words.

" 'Then drink from me,' I said, shuddering at the sight of him, the fangs distended again, the hands out to grasp me. But it was the least I could do."

"As soon as I was done with that creature, I ordered him to let no one enter the crypt. How the hell he was supposed to keep anyone out I couldn't imagine, but I told him this with tremendous authority and I hurried away.

"I went back into Alexandria, and I broke into a shop that sold antique things and I stole two fine painted and gold-plated mummy cases, and I took a great deal of linen for wrapping, and I went back to the desert crypt.

"My courage and my fear were at their peak.

"As often happens when we give the blood or take it from another of our kind, I had seen things, dreamed things as it were, when the burnt one had his teeth in my throat. And what I had seen and dreamed had to do with Egypt; the age of Egypt, the fact that for four thousand years this land had known little change in language, religion, or art. And for the first time this was understandable to me and it put me in profound sympathy with the Mother and the Father as relics of this country, as surely as the pyramids were relics. It intensified my curiosity and made it something more akin to devotion.

"Though to be honest, I would have stolen the Mother and the Father just in order to survive.

"This new knowledge, this new infatuation, inspired me as I approached Akasha and Enkil to put them in the wooden mummy cases, knowing full well that Akasha would allow it and that one blow from Enkil could probably crush my skull.

"But Enkil yielded as well as Akasha. They allowed me to wrap them in linen, to make mummies of them, and to place them into the shapely wooden coffins which bore the painted faces of others, and the endless hieroglyph instructions for the dead, and to take them with me into Alexandria, which I did.

"I left the wraith being in a terrible state of agitation as I went off dragging a mummy case under each arm.

"When I reached the city I hired men to carry these coffins properly to my house, out of a sense of fittingness, and then I buried them deep beneath the garden, explaining to Akasha and Enkil all the while aloud that their stay in the earth would not be long.

"I was in terror to leave them the next night. I hunted and killed within yards of my own garden gate. And then I sent my slaves to purchase horses and a wagon for me, and to make preparations for a journey around the coast to Antioch, on the Orontes River, a city I knew and loved, and in which I felt I would be safe.

"As I feared, the Elder soon appeared. I was actually waiting for him in the shadowy bedroom, seated on my couch like a Roman, one lamp beside me, as old copy of some Roman poem in my hand. I wondered if he would sense the location of Akasha and Enkil, and deliberately imagined false things  -- that I had shut them up in the great pyramid itself.

"I still dreamed the dream of Egypt that had come to me from the burnt one: a land in which the laws and the beliefs had remained the same for longer than we could imagine, a land that had known the picture writing and the pyramids and the myths of Osiris and Isis when Greece had been in darkness and when there was no Rome. I saw the river Mile overflowing her banks. I saw the mountains on either side which created the valley. I saw time with a wholly different idea of it. And it was not merely the dream of the burnt one -- it was all I had ever seen or known in Egypt, a sense of things beginning there which I had learned from books long before I had become the child of the Mother and the Father, whom I meant now to take.

"'What makes you think that we would entrust them to you!' the Elder said as soon as he appeared in the doorway.

"He appeared enormous as, girded only in the short linen kilt, he walked around my room. The lamplight shone on his bald head, his round face, his bulging eyes. 'How dare you take the Mother and the Father! What have you done with them!' he said.

" 'It was you who put them in the sun,' I answered. 'You who sought to destroy them. You were the one who didn't believe the old story. You were the guardian of the Mother and the Father, and you lied to me. You brought about the death of our kind from one end of the world to the other. You, and you lied to me.'

"He was dumbfounded. He thought me proud and impossible beyond words. So did I. But so what? He had the power to burn me to ashes if and when he burnt the Mother and the Father. And she had come to me! To me!

" 'I did not know what would happen!' he said now, his veins cording against his forehead, his fists clenched. He looked like a great bald Nubian as he tried to intimidate me. 'I swear to you by all that is sacred, I didn't know. And you cannot know what it means to keep them, to look at them year after year, decade after decade, century after century, and know that they could speak, they could move, and they will not!'

"I had no sympathy for him and what he said. He was merely an enigmatic figure poised in the center of this small room in Alexandria railing at me of sufferings beyond the imagination. How could I sympathize with him?

"'I inherited them,' he said. 'They were given to me! What was I to do?' he declared. 'And I must contend with their punishing silence, their refusal to direct the tribe they had loosed into the world. And why came this silence? Vengeance, I tell you. Vengeance on us. But for what? Who exists who can remember back a thousand years now? No one. Who understands all these things? The old gods go into the sun, into the fire, or they meet with obliteration through violence, or they bury themselves in the deepest earth never to rise again. But the Mother and the Father go on forever, and they do not speak. Why don't they bury themselves where no harm can come to them? Why do they simply watch and listen and refuse to speak? Only when one tries to take Akasha from Enkil does he move, does he strike out and then batter down his foes as if he were a stone colossus come to life. I tell you when I put them in the sand they did not try to save themselves! They stood facing the river as I ran!'

" 'You did it to see what would happen, if it would make them move!'

" 'To free myself! To say, "I will keep you no longer. Move. Speak." To see if it was true, the old story, and if it was true, then let us all die in flames.'

"He had exhausted himself. In a feeble voice he said finally, 'You cannot take the Mother and the Father. How could you think that I would allow you to do this! You who might not last out the century, you who ran from the obligations of the grove. You don't really know what the Mother and the Father are. You have heard more than one lie from me.'

" 'I have something to tell you,' I said. 'You are free now. You know that we're not gods. And we're not men, either. We don't serve the Mother Earth because we do not eat her fruits and we do not naturally descend to her embrace. We are not of her. And I leave Egypt without further obligation to you, and I take them with me because it is what they have asked me to do and I will not suffer them or me to be destroyed.'

"He was again dumbfounded. How had they asked me? But he couldn't find words, he was so angry, and so full of hatred suddenly, and so full of dark wrathful secrets that I could not even glimpse. He had a mind as educated as mine, this one, but he knew things about our powers that I didn't guess. I had never slain a man when I was mortal. I did not know how to kill any living thing, save in the tender and remorseless need for blood.

"He knew how to use his supernatural strength. He closed his eyes to slits, and his body hardened. Danger radiated from him.

"He approached me and his intentions went before him, and in an instant I had risen off my couch, and I was trying to ward off his blows. He had me by the throat and he threw me against the stone wall so that the bones of my shoulder and right arm were crushed. In a moment of exquisite pain, I knew he would bash my head against the stone and crush all my limbs, and then he would pour the oil of the lamp over me and burn me, and I would be gone out of his private eternity as if I had never known these secrets or dared to intrude.

"I fought as I never could have before. But my battered arm was a riot of pain, and his strength was to me what mine would be to you. But instead of clawing at his hands as they locked round my throat, instead of trying to free my throat as was instinctive, I shot my thumbs into his eyes. Though my arm blazed with pain, I used all my strength to push his eyes backwards into his head.

"He let go of me and he wailed. Blood was pouring down his face. I ran clear of him and towards the garden door. I still could not breathe from the damage he'd done to my throat, and as I clutched at my dangling arm, I saw things out of the comer of my eye that confused me, a great spray of earth flying up from the garden, the air dense as if with smoke. I bumped the door frame, losing my balance, as if a wind had moved me, and glancing back I saw him coming on, eyes still glittering, though from deep inside his head. He was cursing me in Egyptian. He was saying that I should go into the netherworld with the demons, unmourned.

"And then his face froze in a mask of fear. He stopped in his tracks and looked almost comical in his alarm.

"Then I saw what he saw -- the figure of Akasha, who moved past me to my right. The linen wrapping had been ripped from around her head, and her arms were torn free, and she was covered with the sandy earth. Her eyes had the same expressionless stare they always had, and she bore down on him slowly, drawing ever closer because he could not move to save himself.

"He went down on his knees, babbling to her in Egyptian, first with a tone of astonishment and then with incoherent fright. Still she came on, tracking the sand after her, the linen falling off her as each slow sliding step ruptured the wrappings more violently. He turned away and fell forward on his hands and started to crawl as if, by some unseen force, she prevented him from rising to his feet. Surely that was what she was doing, because he lay prone finally, his elbows jutting up, unable to move himself.

"Quietly and slowly, she stepped on the back of his right knee, crushing it flat beneath her foot, the blood squirting from under her heel. And with the next step she crushed his pelvis just as flat while he roared like a dumb beast, the blood gushing from his mangled parts. Then came her next step down upon his shoulder and the next upon his head, which exploded beneath her weight as if it had been an acorn. The roaring ceased. The blood spurted from all his remains as they twitched.

"Turning, she revealed to me no change in expression, signifying nothing of what had happened to him, indifferent even to the lone and horrified witness who shrank back against the wall. She walked back and forth over his remains with the same slow and effortless gait, and crushed the last of him utterly.

"What was left was not even the outline of a man, but mere blood-soaked pulp upon the floor, and yet it glittered, bubbled, seemed to swell and contract as if there were still life in it.

"I was petrified, knowing that there was life in it, that this was what immortality could mean.

"But she had come to a stop, and she turned to her left so slowly it seemed the revolution of a statue on a chain, and her hand rose and the lamp beside the couch rose in the air and fell down upon the bloody mass, the flame quickly igniting the oil as it spilled.

"Like grease he went up, flames dancing from one end of the dark mass to the other, the blood seeming to feed the fire, the smoke acrid but only with the stench of the oil.

"I was on my knees, with my head against the side of the doorway. I was as near to losing consciousness from shock as I have ever been. I watched him burn to nothing. I watched her standing there, beyond the flames, her bronze face giving forth not the slightest sign of intelligence or triumph or will.

"I held my breath, expecting her eyes to move to me. But they didn't. And as the moment lengthened, as the fire died, I realized that she had ceased to move. She had returned to the state of absolute silence and stillness that all the others had come to expect of her.

"The room was dark now. The fire had gone out. The smell of burning oil sickened me. She looked like an Egyptian ghost in her torn wrappings, poised there before the glittering embers, the gilded furnishings glinting in the light from the sky, bearing, for all their Roman craftsmanship, some resemblance to the elaborate and delicate furnishings of a royal burial chamber.

"I rose to my feet, and the pain in my shoulder and in my arm throbbed. I could feel the blood rushing to heal it, but the damage was considerable. I did not know how long I would have this.

"I did know, of course, that if I were to drink from her, the healing would be much faster, perhaps instantaneous, and we could start our journey out of Alexandria tonight. I could take her far far away from Egypt.

"Then I realized that she was telling me this. The words, far far away, were breathed in by me sensuously.

"And I answered her: I have been all through the world and I will take you to safe places. But then again perhaps this dialogue was all my doing. And the soft, yielding sensation of love for her was my doing. And I was going completely mad, knowing this nightmare would never, never end except in fires such as that, that no natural old age or death would ever quiet my fears and dull my pains, as I had once expected it to do.

"It ceased to matter. What mattered was that I was alone with her, and in this darkness she might have been a human woman standing there, a young god woman full of vitality and full of lovely language and ideas and dreams.

"I moved closer to her and it seemed then that she was this pliant and yielding creature, and some knowledge of her was inside me; waiting to be remembered, waiting to be enjoyed. Yet I was afraid. She could do to me what she had done to the Elder. But that was absurd. She would not. I was her guardian now. She would never let anyone hurt me. No. I was to understand that. And I came closer and closer to her, until my lips were almost at her bronze throat, and it was decided when I felt the firm cold press of her hand on the back of my head."




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