I was the first to approach the open door. I stopped, checked in my advance by an unexpected discovery. The summer-house was no longer empty as we had left it. A lady was seated at the table with my pencil in her hand, writing in my sketch-book!
After waiting a moment, I advanced a few steps nearer to the door, and stopped again in breathless amazement. The stranger in the summer-house was now plainly revealed to me as the woman who had attempted to destroy herself from the bridge!
There was no doubt about it. There was the dress; there was the memorable face which I had seen in the evening light, which I had dreamed of only a few nights since! The woman herself--I saw her as plainly as I saw the sun shining on the waterfall--the woman herself, with my pencil in her hand, writing in my book!
My mother was close behind me. She noticed my agitation. "George!" she exclaimed, "what is the matter with you?"
I pointed through the open door of the summer-house.
"Well?" said my mother. "What am I to look at?"
"Don't you see somebody sitting at the table and writing in my sketch-book?"
My mother eyed me quickly. "Is he going to be ill again?" I heard her say to herself.
At the same moment the woman laid down the pencil and rose slowly to her feet.
She looked at me with sorrowful and pleading eyes: she lifted her hand and beckoned me to approach her. I obeyed. Moving without conscious will of my own, drawn nearer and nearer to her by an irresistible power, I ascended the short flight of stairs which led into the summer-house. Within a few paces of her I stopped. She advanced a step toward me, and laid her hand gently on my bosom. Her touch filled me with strangely united sensations of rapture and awe. After a while, she spoke in low melodious tones, which mingled in my ear with the distant murmur of the falling water, until the two sounds became one. I heard in the murmur, I heard in the voice, these words: "Remember me. Come to me." Her hand dropped from my bosom; a momentary obscurity passed like a flying shadow over the bright daylight in the room. I looked for her when the light came back. She was gone.
My consciousness of passing events returned.
I saw the lengthening shadows outside, which told me that the evening was at hand. I saw the carriage approaching the summerhouse to take us away. I felt my mother's hand on my arm, and heard her voice speaking to me anxiously. I was able to reply by a sign entreating her not to be uneasy about me, but I could do no more. I was absorbed, body and soul, in the one desire to look at the sketch-book. As certainly as I had seen the woman, so certainly I had seen her, with my pencil in her hand, writing in my book.