There were sentries at the filigree gates, dismounted troopers in steel corselets and helmets, with blazing lances and long-bladed cavalry spathae; but they had the air of minor and amateur actors, good-natured, hard-bitten men enjoying a respite from running fights and wind-swept patrols. The pair to whom I showed my circle of painted paper no more than glanced at it before waving me inside.
Chapter 5
Cyriaca
I WAS ONE of the first guests to arrive. There were more bustling servants still than masquers, servants who seemed to have begun their work only a moment before, and to be determined to complete it at once. They lit candelabra with crystal lenses and coronas lucis suspended from the upper limbs of the trees, carried out trays of food and drink, positioned them, shifted them, then carried them back to one of the domed buildings again - the three acts being performed by three servants, but occasionally (no doubt because the others were busy elsewhere) by one.
For a time I wandered about the grounds, admiring the flowers by the fast fading twilight. Then, glimpsing people in costume between the pillars of a pavilion, I strolled inside to join them.
What such a gathering could be in the House Absolute, I have already described. Here, where the society was entirely provincial, it had, rather, the atmosphere of children playing dress-up in their parents' old clothing; I saw men and women costumed as autochthons, with their faces stained russet and dabbed with white, and even one man who was an autochthon and yet was dressed like one, in a costume no more and no less authentic than the others, so that I was inclined to laugh at him until I realized that though he and I might be the only ones who knew it, he was in fact costumed more originally than any of the rest, as a citizen of Thrax in costume. Around all these autochthons, real and self-imagined, were a score of other figures not less absurd - officers dressed as women and women dressed as soldiers, eclectics as fraudulent as the autochthons, gymnosophists, ablegates and their acolytes, eremites, eidolons, zoanthrops half beast and half human, and deodands and remontados in picturesque rags, with eyes painted wild.
I found myself thinking how strange it would be if the New Sun, the Daystar himself, were to appear now as suddenly as he had appeared so long ago when he was called the Conciliator, appearing here because it was an inappropriate place and he had always preferred the least appropriate places, seeing these people through fresher eyes than we ever could; and if he, thus appearing here, were to decree by theurgy that all of them (none of whom I knew and none of whom knew me) should forever after live the roles they had taken up tonight, the autochthons hunching over smoky fires in mountain huts of stone, the real autochthon forever a townsman at a ridotto, the women spurring toward the enemies of the Commonwealth with sword in hand, the officers doing needlepoint at north windows and looking up to sigh over empty roads, the deodands mourning their unspeakable abominations in the wilderness, the remontados burning their own homes and setting their eyes upon the mountains; and only I unchanged, as it is said the velocity of light is unchanged by mathematical transformations.
Then, while I was grinning to myself behind my mask, it seemed that the Claw, in its soft leathern sack, drove against my breastbone to remind me that the Conciliator had been no jest, and that I bore some fragment of his power with me. At that moment, as I looked across the room over all the feathered and helmeted and wild-haired heads, I saw a Pelerine.
I made my way across to her as quickly as I could, pushing aside those who did not stand aside for me. (They were but few, for though not one of them thought I was what I seemed, my height made them take me for an exultant, with no true exultants near.)
The Pelerine was neither young nor old; beneath her narrow domino her face seemed a smooth oval, refined and remote like the face of the chief priestess who had permitted me to pass in the tent cathedral after Agia and I had destroyed the altar. She held a little glass of wine as if to toy with it, and when I knelt at her feet she set it on a table so she could give me her fingers to kiss.
"Shrive me, Domnicellae," I begged her. "I have done you and all your sisters the greatest harm."
"Death does us all harm," she answered. "I am not he." I looked up at her then, and the first doubt struck me.
Over the chatter of the crowd I heard the hiss of her indrawn breath. "You are not?"
"No, Domnicellae." And though I doubted her already, I feared she would flee from me, and I reached out to catch the cincture that dangled from her waist. "Domnicellae, forgive me, but are you a true member of the order?" Without speaking she shook her head, then fell to the floor. It is not uncommon for a client in our oubliette to feign unconsciousness, but the imposture is easily detected. The false fainter deliberately closes his eyes and keeps them closed. In a true faint, the victim, who is almost as likely to be a man as a woman, first loses control of his eyes, so that for an instant they no longer look in precisely the same direction; sometimes they tend to roll up under their lids. These lids, in turn, seldom entirely close, since their closing is not a deliberate action but a mere relaxation of their muscles. One can usually see a slender crescent of the sclera between the upper and lower lids, as I did when this woman fell.
Several men helped me carry her to an alcove, and there was a good deal of foolish talk about heat and excitement, neither of which had been present. For a time it was impossible to drive the onlookers away - then the novelty was gone, and it would have been almost equally impossible for me to have kept them there had I desired to do so. By then the woman in scarlet was beginning to stir, and I had learned from a woman of about the same age who was dressed as a child that she was the wife of an armiger whose villa stood at no great distance from Thrax, but who had gone to Nessus on some business or other. I went back to the table then and fetched her little glass and touched her lips with the red liquid it contained.
"No," she said weakly. "I don't want it... It's sangaree and I hate it - I - I only chose it because the color matches my costume."
"Why did you faint? Was it because I thought you were a real conventual?"
"No, because I guessed who you are," she said, and we were silent for a moment, she still half-reclining on the divan to which I had helped carry her, I sitting at her feet.
I brought the moment when I had knelt before her to life again in my mind; I have, as I have said, the power to so reconstruct every instant of my life. And at last I had to say, "How did you know?"
"Anyone else in those clothes, asked if he were Death, would have said he was... because he would be in costume. I sat in the archon's court a week ago, when my husband charged one of our peons with theft. That day I saw you standing to one side, with your arms folded on the guard of the sword you carry now, and when I heard you say what you did, when you had just kissed my fingers, I recognized you, and I thought... Oh, I don't know what I thought! I suppose I thought you had knelt to me because you intended to kill me. Just from the way you stood, you always looked, when I saw you in court, like someone who would be gallant to the poor people whose heads he was going to lop off, and particularly to women."
"I only knelt to you because I am anxious to locate the Pelerines, and your costume, like my own, did not seem to be a costume."
"It isn't. That is to say, I'm not entitled to wear it, but it isn't just something I had my maids run up for me. It's a real investiture." She paused. "Do you know I don't even know your name?"
"Severian. Yours is Cyriaca - one of the women mentioned it while we were taking care of you. May I ask how you came to have those clothes, and if you know where the Pelerines are now?"