"You remember that, don't you?" he would say.

"Certainly I remember," Peter would reply heartily.

"That evening on the steamer when I ate so many raisins."

"Of course. And were ill."

"Not ill--not that time. But you said I'd make a good pudding! You remember that, don't you?"

And Peter would recall it all.

Peter would be left. That was the girl's comfort.

She made a beginning at gathering her things together that morning, while the boy dozed and the white mice scurried about the little cage. She could not take her trunk, or Peter would trace it. She would have to carry her belongings, a few at a time, to wherever she found a room. Then when Peter came back she could slip away and he would never find her.

At noon came the Portier and the sentry, now no longer friends, and rang the doorbell. Harmony was rather startled. McLean and Mrs. Boyer had been her only callers, and she did not wish to see either of them. But after a second ring she gathered her courage in her hands and opened the door.

She turned pale when she saw the sentry in his belted blue-gray tunic and high cap. She thought, of course, that Jimmy had been traced and that now he would be taken away. If the sentry knew her, however, he kept his face impassive and merely touched his cap. The Portier stated their errand. Harmony's face cleared. She even smiled as the Portier extended to her the thumbed score with its missing corner. What, after all, does it matter which was right--whether it was A sharp or A natural? What really matters is that Harmony, having settled the dispute and clinched the decision by running over the score for a page or two, turned to find the Portier, ecstatic eyes upturned, hands folded on paunch, enjoying a delirium of pleasure, and the sentry nowhere in sight.

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He was discovered a moment later in the doorway of Jimmy's room, where, taciturn as ever, severe, martial, he stood at attention, shoulders back, arms at his sides, thumbs in. In this position he was making, with amazing rapidity, a series of hideous grimaces for the benefit of the little boy in the bed: marvelous faces they were, in which nose, mouth, and eyes seemed interchangeable, where features played leapfrog with one another. When all was over--perhaps when his repertoire was exhausted--the sentry returned his nose to the center of his face, replaced eyes and mouth, and wiped the ensemble with a blue cotton handkerchief. Then, still in silence, he saluted and withdrew, leaving the youngster enraptured, staring at the doorway.




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