A bad skid that slewed the car half round broke his thoughts and in a few minutes they were at the house.

Forbes, the elderly butler who had been an under footman when Peters first came to the Towers, was waiting for him in the hall, informative with the garrulousness of an old and privileged servant. A late luncheon was waiting--he sighed patiently on hearing that it was not required--Miss Craven had gone to the Vicarage for tea; Mr. Peters was expected to dinner that night and he had telephoned in the morning to tell Mr. Craven--Craven cut him short. Peter's message could wait, only one thing seemed to matter just now.

"Where is Miss Locke?" he asked curtly. "In the studio, sir," replied Forbes with resignation. If Mr. Barry didn't want to hear what Mr. Peters had got to say he, for one, was not going to press the matter. Mr. Barry had had his own way of doing things since the days when he sat on the pantry table kicking his heels and flourishing stolen jam under Forbes' very nose--a masterful one always, he was. And if it was a case of Miss Gillian--Forbes retired with an armful of ulster and rugs into the cloakroom to hide a sympathetic grin.

Craven crossed the hall and went into the study. He looked without interest through an accumulation of letters lying on the writing table, then threw them down indifferently. Walking to the fireplace he lit a cigarette and stood staring at the cheerful blaze. At last he raised his head and gazed with deliberation at himself in the glass over the mantle. He scowled at the stern worn face reflected in the mirror, looking curiously at its deep cut lines, at the silver patches in the thick brown hair. Then with a violent exclamation he swung abruptly on his heel, flung the cigarette into the fire and left the room. He went upstairs slowly, surprised at the feeling of apathy that had come over him. In the face of direct action the high tension of the last few weeks had snapped, leaving him dull, almost inert, and reluctance to go forward grew with every step. But at the head of the stairs his mood changed suddenly. All that the coming interview meant to him revealed itself with startling clearness. With a deep breath he caught at the rail, for he was shaking uncontrollably, and covered his face with his hand.

"God!" he whispered, and again: "God!"

Then he gripped himself and went quickly across the gallery, turning down the corridor that led to the west wing. He followed the oddly twisting passage, contorted at the whim of succeeding generations where rooms had been enlarged or abolished, passing rows of closed doors and another staircase. The corridor terminated in the room he was seeking. It had been the old playroom; at the extreme end of the wing it faced northward and westward and was well suited for the studio into which it had been converted. It was Gillian's own domain and he had never asked to visit it. As he reached the door he heard from within the shrill treble of a boy's mirth and then a low soft laugh that made his heart beat quicker. He tapped and went in and for a moment stared in amazement. He did not recognise the room, it was a totally unexpected French atelier tucked away in the corner of a typically English house.




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