It looks like a place that once bustled with activity. But the bathhouse itself—or what’s left of it—was built on soft ground, which must have sealed its fate. As people abandoned the bathhouse, so must they have abandoned the small settlement of homes around it. Or perhaps the aqueduct delivering its water crumbled first. The once-glorious pillars at its entrance have now collapsed, and the stone foundation has sunk into the marshy soil. Vines crawl up the stone, their flowers vibrant green and yellow. I feel a strong attraction to this place’s ruined beauty.
“He’s here,” Violetta whispers beside me, her brow furrowed in concentration.
“Good.” I adjust my mask across my own ruined face and approach the entrance.
The bathhouse is cool and dark inside, its arched stone ceiling covered with mosses and ivy. Narrow shafts of light cut through the ceiling’s openings, illuminating the pools of water below. We step carefully through the halls of ancient marble colonnades. The air smells wet and musky, the scent of something green and alive. The sound of dripping water echoes all around us.
Finally I stop where the bath pool begins. “Where is he?” I whisper.
Violetta lifts her eyes to the ceiling. She spins in a half circle, then focuses on a dark corner. “There.”
I strain to see into the shadows. “Magiano,” I call out. My voice startles me—it bounces off the walls, over and over, until it finally fades away. I clear my throat, a little embarrassed, and continue in a quieter tone. “We were told we could find you here.”
There is a long silence, so long that I start to wonder whether Violetta might be mistaken.
Then, someone laughs. As the sound echoes from surface to surface, a flurry of leaves rain down from the bathhouse’s mossy banisters. A trail of dark braids flashes in and out of the light. I instinctively extend one of my arms in front of Violetta, as if that might protect her.
“Adelina,” a voice calls playfully. “How nice to see you.”
I try to pinpoint where the voice comes from.
“Are you Magiano, then?” I reply. “Or are you just taunting us?”
“Do you remember a comedy called The Temptation of the Jewel?” he continues after a pause. “The play opened in Kenettra a couple of years ago, to great fanfare, right before the Inquisition banned it.”
I do remember it. The Temptation of the Jewel was about a dull, arrogant knight who continually bragged that he could steal a jewel from an ogre’s lair—only to be bested by a cheeky young boy, who snatched the prize first. It was penned by Tristan Chirsley, the same famous scribe who’d written the Stories of the Star Thief collection, and its final performance had happened in Dalia, in a theater overflowing with people.
The Star Thief. I shake my head, trying not to think of Gemma and the others. “Yes, of course I do,” I respond. “How is this relevant? Are you a Chirsley admirer?”
Another laugh sounds through the vast space. Another shuffle of feet and flurry of leaves high above us. This time, we look up and see a dark silhouette crouched on a rotting wooden beam right over our heads. I step aside to look more properly at him. In the shadows, all I can make out are a pair of bright gold eyes, fixed curiously on me.
“It’s relevant,” he replies, “because I was the inspiration for it.”
A laugh escapes my mouth before I can stop it. “You inspired Chirsley’s play?”
He dangles his feet over the beam. I notice that he’s not wearing shoes today. “The Inquisition banned the play because it was about the theft of the queen’s crown jewels.”
I catch Violetta’s skeptical glance. The rumors we’d heard along the way, about how Magiano had stolen Queen Giulietta’s crown, come back to me now. “Did you inspire the clever boy, then, or the arrogant knight?” I tease.
Now I can see his bright white teeth in the darkness. That carefree smile. “You wound me, my love,” he says. He reaches for something in his pockets and tosses it at us. The object falls in a clean line, gleaming as it goes. It splashes into the shallowest part of the pool.
“You forgot your ring last night,” he says.
My ring? I hurry over to the pool, kneel, and peer into the water. The silver ring sparkles in a ray of light, winking at me. It is the ring I’d worn on my fourth finger. I roll up my sleeve, reach for it, and clench it in my fist.
He couldn’t have taken it from me last night. Impossible. He didn’t even touch my hands. He didn’t even come down from the balcony!
The boy laughs before tossing something else down, this time in Violetta’s direction. “Let’s see, what else …” As it floats down, I see that it’s a ribbon of cloth. “A sash from your dress, my lady,” he says to Violetta with a mock bow of his head. “Right as you walked into this bathhouse.”
He throws down more of our things, including a gold pin from my head wrap, and three jewels from Violetta’s sleeves. The hairs on my arms rise. “You two are very forgetful,” he chides as he goes.
Violetta bends down to retrieve her belongings. She shoots a glare at Magiano as she carefully clips the jewels back onto her sleeves. “I see we’ve found an upstanding citizen, Adelina,” she mutters to me.
“Is this supposed to impress us?” I call up to him. “A demonstration of cheap street tricks?”
“Silly girl. I know what you’re really asking.” He hops into the light. “You’re asking how I managed to do it. You have no idea, do you?” He’s the same boy we met yesterday. Thick ropes of braids hang over his shoulders, and he’s wearing a colorful tunic that has everything from patches of silk to enormous brown leaves sewn into it. When I look more closely, I realize that the leaves are actually made out of metal. Of gold.