When the day drags, when a man is solitary, and in a fever of impatience and suspense; when the minute hand of his watch travels as slowly as the hour hand used to do, and the hour hand has lost all appreciable motion; when he yawns, and beats the devil's tattoo, and flattens his handsome nose against the window, and whistles tunes he hates, and, in short, does not know what to do with himself, it is deeply to be regretted that he cannot make a solemn dinner of three courses more than once in a day. The laws of matter, to which we are slaves, deny us that resource.
But in the times I speak of, supper was still a substantial meal, and its hour was approaching. This was consolatory. Three-quarters of an hour, however, still interposed. How was I to dispose of that interval?
I had two or three idle books, it is true, as companions-companions; but there are many moods in which one cannot read. My novel lay with my rug and walking-stick on the sofa, and I did not care if the heroine and the hero were both drowned together in the water barrel that I saw in the inn-yard under my window. I took a turn or two up and down my room, and sighed, looking at myself in the glass, adjusted my great white "choker," folded and tied after Brummel, the immortal "Beau," put on a buff waist-coat and my blue swallow-tailed coat with gilt buttons; I deluged my pocket-handkerchief with Eau-de-Cologne (we had not then the variety of bouquets with which the genius of perfumery has since blessed us) I arranged my hair, on which I piqued myself, and which I loved to groom in those days. That dark-brown chevelure, with a natural curl, is now represented by a few dozen perfectly white hairs, and its place--a smooth, bald, pink head--knows it no more. But let us forget these mortifications. It was then rich, thick, and dark-brown. I was making a very careful toilet. I took my unexceptionable hat from its case, and placed it lightly on my wise head, as nearly as memory and practice enabled me to do so, at that very slight inclination which the immortal person I have mentioned was wont to give to his. A pair of light French gloves and a rather club-like knotted walking-stick, such as just then came into vogue for a year or two again in England, in the phraseology of Sir Walter Scott's romances "completed my equipment."
All this attention to effect, preparatory to a mere lounge in the yard, or on the steps of the Belle Étoile, was a simple act of devotion to the wonderful eyes which I had that evening beheld for the first time, and never, never could forget! In plain terms, it was all done in the vague, very vague hope that those eyes might behold the unexceptionable get-up of a melancholy slave, and retain the image, not altogether without secret approbation.