He wanted to give her all his love, all his passion, all his

essential energy. But it could not be. He must find other things

than her, other centres of living. She sat close and impregnable

with the child. And he was jealous of the child.

But he loved her, and time came to give some sort of course

to his troublesome current of life, so that it did not foam and

flood and make misery. He formed another centre of love in her

child, Anna. Gradually a part of his stream of life was diverted

to the child, relieving the main flood to his wife. Also he

sought the company of men, he drank heavily now and again.

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The child ceased to have so much anxiety for her mother after

the baby came. Seeing the mother with the baby boy, delighted

and serene and secure, Anna was at first puzzled, then gradually

she became indignant, and at last her little life settled on its

own swivel, she was no more strained and distorted to support

her mother. She became more childish, not so abnormal, not

charged with cares she could not understand. The charge of the

mother, the satisfying of the mother, had devolved elsewhere

than on her. Gradually the child was freed. She became an

independent, forgetful little soul, loving from her own

centre.

Of her own choice, she then loved Brangwen most, or most

obviously. For these two made a little life together, they had a

joint activity. It amused him, at evening, to teach her to

count, or to say her letters. He remembered for her all the

little nursery rhymes and childish songs that lay forgotten at

the bottom of his brain.

At first she thought them rubbish. But he laughed, and she

laughed. They became to her a huge joke. Old King Cole she

thought was Brangwen. Mother Hubbard was Tilly, her mother was

the old woman who lived in a shoe. It was a huge, it was a

frantic delight to the child, this nonsense, after her years

with her mother, after the poignant folk-tales she had had from

her mother, which always troubled and mystified her soul.

She shared a sort of recklessness with her father, a

complete, chosen carelessness that had the laugh of ridicule in

it. He loved to make her voice go high and shouting and defiant

with laughter. The baby was dark-skinned and dark-haired, like

the mother, and had hazel eyes. Brangwen called him the

blackbird.

"Hallo," Brangwen would cry, starting as he heard the wail of

the child announcing it wanted to be taken out of the cradle,

"there's the blackbird tuning up."

"The blackbird's singing," Anna would shout with delight,

"the blackbird's singing."

"When the pie was opened," Brangwen shouted in his bawling

bass voice, going over to the cradle, "the bird began to

sing."




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