What Mrs. Cresswell forgot Mrs. Vanderpool sensed unerringly. She had heard with uneasiness of Cresswell's renewed candidacy for the Paris ambassadorship, and she set herself to block it. She had worked hard. The President stood ready to send her husband's appointment again to the Senate whenever Easterly could assure him of favorable action. Easterly had long and satisfactory interviews with several senators, while the Todd insurgents were losing heart at the prospect of choosing between Vanderpool and Cresswell. At present four Southern votes were needed to confirm Vanderpool; but if they could not be had, Easterly declared it would be good politics to nominate Cresswell and give him Republican support. Manifestly, then, Mrs. Vanderpool's task was to discredit the Cresswells with the Southerners. It was not a work to her liking, but the die was cast and she refused to contemplate defeat.

The result was that while Mrs. Cresswell was giving large and brilliant parties to the whole Southern contingent, Mrs. Vanderpool was engineering exclusive dinners where old New York met stately Charleston and gossiped interestingly. On such occasions it was hinted not once, but many times, that the Cresswells were well enough, but who was that upstart wife who presumed to take social precedence?

It was not, however, until Mrs. Cresswell's plan for an all-Southern art exhibit in Washington that Mrs. Vanderpool, in a flash of inspiration, saw her chance. In the annual exhibit of the Corcoran Art Gallery, a Southern girl had nearly won first prize over a Western man. The concensus of Southern opinion was that the judgment had been unfair, and Mrs. Cresswell was convinced of this. With quick intuition she suggested a Southern exhibit with such social prestige back of it as to impress the country.

The proposal caught the imagination of the Southern set. None suspected a possible intrusion of the eternal race issue for no Negroes were allowed in the Corcoran exhibit or school. This Mrs. Vanderpool easily ascertained and a certain sense of justice combined in a curious way with her political intrigue to bring about the undoing of Mary Cresswell.

Mrs. Vanderpool's very first cautious inquiries by way of the back stairs brought gratifying response--for did not all black Washington know well of the work in sculpture done by Mrs. Samuel Stillings, nee Wynn? Mrs. Vanderpool remembered Mrs. Stillings perfectly, and she walked, that evening, through unobtrusive thoroughfares and called on Mrs. Stillings. Had Mrs. Stillings heard of the new art movement? Did she intend to exhibit? Mrs. Stillings did not intend to exhibit as she was sure she would not be welcome. She had had a bust accepted by the Corcoran Art Gallery once, and when they found she was colored they returned it. But if she were especially invited? That would make a difference, although even then the line would be drawn somehow.




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