"What on earth does this mean?" I inquired.

"It means taking Time by the forelock," answered Morgan, looking at me with a smile of sour satisfaction. "I've got the start of your young woman, Griffith, and I'm making the most of it."

"But where, in Heaven's name, are you going?" I asked, as the head man of the procession disappeared with his firing up the staircase.

"How high is this tower?" retorted Morgan.

"Seven stories, to be sure," I replied.

"Very good," said my eccentric brother, setting his foot on the first stair, "I'm going up to the seventh."

"You can't," I shouted.

"She can't, you mean," said Morgan, "and that's exactly why I'm going there."

"But the room is not furnished."

"It's out of her reach."

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"One of the windows has fallen to pieces."

"It's out of her reach."

"There's a crow's nest in the corner."

"It's out of her reach."

By the time this unanswerable argument had attained its third repetition, Morgan, in his turn, had disappeared up the winding stairs. I knew him too well to attempt any further protest.

Here was my first difficulty smoothed away most unexpectedly; for here were the rooms in the lean-to placed by their owner's free act and deed at my disposal. I wrote on the spot to the one upholsterer of our distant county town to come immediately and survey the premises, and sent off a mounted messenger with the letter. This done, and the necessary order also dispatched to the carpenter and glazier to set them at work on Morgan's sky-parlor in the seventh story, I began to feel, for the first time, as if my scattered wits were coming back to me. By the time the evening had closed in I had hit on no less than three excellent ideas, all providing for the future comfort and amusement of our fair guest. The first idea was to get her a Welsh pony; the second was to hire a piano from the county town; the third was to send for a boxful of novels from London. I must confess I thought these projects for pleasing her very happily conceived, and Owen agreed with me. Morgan, as usual, took the opposite view. He said she would yawn over the novels, turn up her nose at the piano, and fracture her skull with the pony. As for the housekeeper, she stuck to her text as stoutly in the evening as she had stuck to it in the morning. "Pianner or no pianner, story-book or no story-book, pony or no pony, you mark my words, sir--that young woman will run away."




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