Laurie quieted a little.
"You wouldn't understand," he said.
"Have you done any more of that business?"
"What business?"
"Well--thinking you saw her--All right, seeing her, if you like."
The boy shook his head.
"No. Vincent's away in Ireland. We've been going on other lines."
"Tell me; I swear I won't laugh."
"All right; I don't care if you do.... Well, automatic handwriting."
"What's that?"
Laurie hesitated.
"Well, I go into trance, you see, and--"
"Good Lord, what next?"
"And then this girl writes through my hand," said Laurie deliberately, "when I'm unconscious. See?"
"I see you're a damned young fool," said Morton seriously.
"But if it's all rot, as you think?"
"Of course it's all rot! Do you think I believe for one instant--" He broke off. "And so's a nervous breakdown all rot, isn't it, and D.T.? They aren't real snakes, you know."
Laurie smiled in a superior manner.
"And you're getting yourself absorbed in all this--"
Laurie looked at him with a sudden flash of fanaticism.
"I tell you," he said, "that it's all the world to me. And so would it be to you, if--"
"Oh, Lord! don't become Salvation Army.... Seen Cathcart yet?"
"No. I haven't the least wish to see Cathcart."
Morton rose, put his pens in the drawer, locked it; slid half a dozen papers into a black tin box, locked that too, and went towards his coat and hat, all in silence.
As he went out he turned on the threshold.
"When's that man coming back from Ireland?" he said.
"Who? Vincent? Oh! another month yet. We're going to have another try when he comes."
"Try? What at?"
"Materialization," said Laurie. "That's to say--"
"I don't want to know what the foul thing means."
He still paused, looking hard at the boy. Then he sniffed.
"A young fool," he said. "I repeat it.... Lock up when you come.... Good night."