'I design,' said He, 'to request an audience of the Domina tomorrow, and use every means of obtaining a mitigation of her sentence.'

'Beware of what you do!' interrupted Matilda; 'Your sudden change of sentiment may naturally create surprize, and may give birth to suspicions which it is most our interest to avoid. Rather, redouble your outward austerity, and thunder out menaces against the errors of others, the better to conceal your own. Abandon the Nun to her fate. Your interfering might be dangerous, and her imprudence merits to be punished: She is unworthy to enjoy Love's pleasures, who has not wit enough to conceal them. But in discussing this trifling subject I waste moments which are precious. The night flies apace, and much must be done before morning. The Nuns are retired; All is safe. Give me the Lamp, Ambrosio. I must descend alone into these Caverns: Wait here, and if any one approaches, warn me by your voice; But as you value your existence, presume not to follow me. Your life would fall a victim to your imprudent curiosity.'

Thus saying She advanced towards the Sepulchre, still holding her Lamp in one hand, and her little Basket in the other. She touched the door: It turned slowly upon its grating hinges, and a narrow winding staircase of black marble presented itself to her eyes. She descended it. Ambrosio remained above, watching the faint beams of the Lamp as they still proceeded up the stairs. They disappeared, and He found himself in total darkness.

Left to himself He could not reflect without surprize on the sudden change in Matilda's character and sentiments. But a few days had past since She appeared the mildest and softest of her sex, devoted to his will, and looking up to him as to a superior Being. Now She assumed a sort of courage and manliness in her manners and discourse but ill-calculated to please him. She spoke no longer to insinuate, but command: He found himself unable to cope with her in argument, and was unwillingly obliged to confess the superiority of her judgment. Every moment convinced him of the astonishing powers of her mind: But what She gained in the opinion of the Man, She lost with interest in the affection of the Lover. He regretted Rosario, the fond, the gentle, and submissive: He grieved that Matilda preferred the virtues of his sex to those of her own; and when He thought of her expressions respecting the devoted Nun, He could not help blaming them as cruel and unfeminine. Pity is a sentiment so natural, so appropriate to the female character, that it is scarcely a merit for a Woman to possess it, but to be without it is a grievous crime. Ambrosio could not easily forgive his Mistress for being deficient in this amiable quality. However, though he blamed her insensibility, He felt the truth of her observations; and though He pitied sincerely the unfortunate Agnes, He resolved to drop the idea of interposing in her behalf.




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