Kenyon, however, being an earnest student and critic of Art, lingered

long before these pathetic relics; and Donatello, in his present phase

of penitence, thought no time spent amiss while he could be kneeling

before an altar. Whenever they found a cathedral, therefore, or a Gothic

church, the two travellers were of one mind to enter it. In some of

these holy edifices they saw pictures that time had not dimmed nor

injured in the least, though they perhaps belonged to as old a school

of Art as any that were perishing around them. These were the painted

windows; and as often as he gazed at them the sculptor blessed the

medieval time, and its gorgeous contrivances of splendor; for surely the

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skill of man has never accomplished, nor his mind imagined, any other

beauty or glory worthy to be compared with these.

It is the special excellence of pictured glass, that the light, which

falls merely on the outside of other pictures, is here interfused

throughout the work; it illuminates the design, and invests it with

a living radiance; and in requital the unfading colors transmute the

common daylight into a miracle of richness and glory in its passage

through the heavenly substance of the blessed and angelic shapes which

throng the high-arched window.

"It is a woeful thing," cried Kenyon, while one of these frail yet

enduring and fadeless pictures threw its hues on his face, and on the

pavement of the church around him,--"a sad necessity that any Christian

soul should pass from earth without once seeing an antique painted

window, with the bright Italian sunshine glowing through it! There is

no other such true symbol of the glories of the better world, where

a celestial radiance will be inherent in all things and persons, and

render each continually transparent to the sight of all."

"But what a horror it would be," said Donatello sadly, "if there were a

soul among them through which the light could not be transfused!"

"Yes; and perhaps this is to be the punishment of sin," replied the

sculptor; "not that it shall be made evident to the universe, which can

profit nothing by such knowledge, but that it shall insulate the sinner

from all sweet society by rendering him impermeable to light, and,

therefore, unrecognizable in the abode of heavenly simplicity and truth.

Then, what remains for him, but the dreariness of infinite and eternal

solitude?"

"That would be a horrible destiny, indeed!" said Donatello.

His voice as he spoke the words had a hollow and dreary cadence, as if

he anticipated some such frozen solitude for himself. A figure in a dark

robe was lurking in the obscurity of a side chapel close by, and made an

impulsive movement forward, but hesitated as Donatello spoke again.

"But there might be a more miserable torture than to be solitary

forever," said he. "Think of having a single companion in eternity, and

instead of finding any consolation, or at all events variety of torture,

to see your own weary, weary sin repeated in that inseparable soul."




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