"I see the figure, and almost the face," said the Count; adding, in a

lower voice, "It is Miriam's!"

"No, not Miriam's," answered the sculptor. While the two gazers thus

found their own reminiscences and presentiments floating among the

clouds, the day drew to its close, and now showed them the fair

spectacle of an Italian sunset. The sky was soft and bright, but not so

gorgeous as Kenyon had seen it, a thousand times, in America; for there

the western sky is wont to be set aflame with breadths and depths of

color with which poets seek in vain to dye their verses, and which

painters never dare to copy. As beheld from the tower of Monte Beni, the

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scene was tenderly magnificent, with mild gradations of hue and a lavish

outpouring of gold, but rather such gold as we see on the leaf of a

bright flower than the burnished glow of metal from the mine. Or, if

metallic, it looked airy and unsubstantial, like the glorified dreams

of an alchemist. And speedily--more speedily than in our own clime--came

the twilight, and, brightening through its gray transparency, the stars.

A swarm of minute insects that had been hovering all day round the

battlements were now swept away by the freshness of a rising breeze.

The two owls in the chamber beneath Donatello's uttered their soft

melancholy cry,--which, with national avoidance of harsh sounds, Italian

owls substitute for the hoot of their kindred in other countries,--and

flew darkling forth among the shrubbery. A convent bell rang out near at

hand, and was not only echoed among the hills, but answered by another

bell, and still another, which doubtless had farther and farther

responses, at various distances along the valley; for, like the English

drumbeat around the globe, there is a chain of convent bells from end

to end, and crosswise, and in all possible directions over priest-ridden

Italy.

"Come," said the sculptor, "the evening air grows cool. It is time to

descend."

"Time for you, my friend," replied the Count; and he hesitated a little

before adding, "I must keep a vigil here for some hours longer. It is my

frequent custom to keep vigils,--and sometimes the thought occurs to me

whether it were not better to keep them in yonder convent, the bell of

which just now seemed to summon me. Should I do wisely, do you think, to

exchange this old tower for a cell?"

"What! Turn monk?" exclaimed his friend. "A horrible idea!"

"True," said Donatello, sighing. "Therefore, if at all, I purpose doing

it."

"Then think of it no more, for Heaven's sake!" cried the sculptor.

"There are a thousand better and more poignant methods of being

miserable than that, if to be miserable is what you wish. Nay; I

question whether a monk keeps himself up to the intellectual and

spiritual height which misery implies. A monk I judge from their sensual

physiognomies, which meet me at every turn--is inevitably a beast! Their

souls, if they have any to begin with, perish out of them, before their

sluggish, swinish existence is half done. Better, a million times, to

stand star-gazing on these airy battlements, than to smother your new

germ of a higher life in a monkish cell!"




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