On the evening of Lola's début one of the omnibus-boxes was occupied by Lord Ranelagh, a raffish mid-Victorian roué, who had brought with him a select party of "Corinthians" in frilled shirts and flowered waistcoats. It was observed that he paid but languid attention to the opera. As soon, however, as the promised novelty, El Oleano, was reached, he exhibited a sudden interest and pushed his chair forward.

"We shall see some fun in a moment," he whispered. "Mind you fellows keep quiet until I give the word."

II

A little ominous, perhaps, that the Haymarket entrepreneur should bear the same name as the Calcutta judge who had unsuccessfully sought her hand. But Lola experienced no qualms. As she stood at the wings, in a black satin bodice and much flounced pink silk skirt, waiting for her cue, Lumley passed her with a nod of encouragement.

"Capital," he said, rubbing his whiskers. "Most attractive. You'll be a big success, my dear."

As he moved off, a bell tinkled in the prompt corner. In response, the conductor lifted his baton; the heavy curtains were drawn aside; and, under a cross-fire of opera glasses, Lola bounded on to the stage and executed her initial piroutte. There was a sudden hush, as, at the finish of the number, she stepped up to the footlights and awaited the verdict. Had she made good, or not? In a moment, however, she knew that all was well, for a storm of applause and clapping of hands filled the air. Lumley, from his place in the wings, beamed approval. His enterprise was to be rewarded. The débutante was a success. No doubt about it. She should have a contract from him before any other manager should step in and snap her up.

We do not believe (scribbled a critic, hurriedly jotting down his impressions, to be expanded when he got back to his office) that Donna Lola smiled once throughout her performance. As she withdrew, numbers of bouquets fell on to the stage. But the proud one of Seville did not deign to return to pick them up, and one of the gentlemen in livery was deputed for that purpose. When, however, her measure was encored, she stepped down from her pinnacle and actually condescended to accept an additional bouquet that had been tossed by a fair one from a box.

Her Majesty's Theatre (added a colleague) may now be said to be in its full zenith of grandeur and perfection of beauty and splendour, and variety and fame of the ballet. A new Spanish Donna has been introduced. Although the visitation was unheralded by the customary flourish of trumpeting on dits, it was extremely successful. The young lady came and saw and conquered. Many floral offerings were shot at her as a compliment, and the useful M. Coulos--ever at hand in such an emergency--assisted very industriously in picking them up. As for El Oleano, this is a sort of cachucha; and it certainly gives Donna Lola Montez an opportunity of introducing herself to the public under a very captivating aspect.... A lovely picture she is to contemplate. There is before you the very perfection of Spanish beauty--the tall handsome figure, the full lustrous eye, the joyous animated countenance, and the dark raven tresses. You gaze upon the Donna with delight and admiration.




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