I
This time Lola was going further afield. A long way further. Two continents had already been exploited. Now she would discover what a fresh one held.
Her plan was to leave the Stars and Stripes for the Southern Cross. As an initial step, "she sold her jewels for 20,000 dollars to the madam of a fashionable brothel." Having thus secured adequate funds, she assembled a number of out-of-work actors and actresses and engaged them to accompany her on a twelve months' tour in Australia. Except for Josephine Fiddes (who was afterwards to understudy Adah Isaacs Menken, of Mazeppa renown) and, perhaps, her leading man, Charles Follard, they were of a distinctly inferior calibre.
The departure from California was duly notified in a paragraph sent round the press: "We beg to inform our readers and the public generally that on June 6 the celebrated Lola Montez left San Francisco, at the head of a theatrical troupe of exceptional talent, bound for distant Australia. The public in the Antipodes may confidently look forward to a rare treat."
The voyage across the Pacific being in a sailing vessel, was a longish one and occupied nearly ten weeks from start to finish. However, anchor was dropped at last; and on August 23, 1855, a "colossal attraction" was announced in "Lola Montez in Bavaria" at the Victoria Theatre, Sydney. There, thanks to the interest aroused by her exploits in other parts of the world, the newcomer was assured of a good reception.
But theatrical stars were always accorded a special measure of deference by the colonists. Thus, Miss Catherine Hayes, who was playing at an opposition house, was invited to luncheon by the Bishop of Sydney and to dinner by the Attorney-General; and a Scottish conjurer, "Professor" Anderson, was given an "address of welcome" by the Town Council.
While these particular honours were not enjoyed by Lola (who, for some reason best known to herself, had elected to be entered in the passenger-list as "Madam Landsfeld Heald"), she was none the less accorded considerable publicity. "The eccentric and much advertised Lola Montez," said the Herald on the morning after her New South Wales début, "pounces upon us direct from California, and the excitement of her visit is emptying the opposition theatre. Last night the Countess looked positively charming and acted very archly.... On the fall of the curtain, she presented Mr. Lambert (who played the King of Bavaria) with an elegant box of cigarettes."
Naturally enough, the star was interviewed by the journalists. "At the Victoria Theatre," says one of them, "I was privileged to have a talk with Madame Lola after the performance had concluded. I found her--much to my surprise--to be a very simple-mannered, well-behaved, cigar-loving young lady."