Here were two people who had penetrated farther than she into the labyrinth of the wedded state, and struggled through some of its thorniest passages; and yet both, one consciously, the other half-unaware, testified to the mysterious fact which was already dawning on her: that the influence of a marriage begun in mutual understanding is too deep not to reassert itself even in the moment of flight and denial.
"The real reason is that you're not Nick" was what she would have said to Strefford if she had dared to set down the bare truth; and she knew that, whatever she wrote, he was too acute not to read that into it.
"He'll think it's because I'm still in love with Nick... and perhaps I am. But even if I were, the difference doesn't seem to lie there, after all, but deeper, in things we've shared that seem to be meant to outlast love, or to change it into something different." If she could have hoped to make Strefford understand that, the letter would have been easy enough to write--but she knew just at what point his imagination would fail, in what obvious and superficial inferences it would rest.
"Poor Streff--poor me!" she thought as she sealed the letter.
After she had despatched it a sense of blankness descended on her. She had succeeded in driving from her mind all vain hesitations, doubts, returns upon herself: her healthy system naturally rejected them. But they left a queer emptiness in which her thoughts rattled about as thoughts might, she supposed, in the first moments after death--before one got used to it. To get used to being dead: that seemed to be her immediate business. And she felt such a novice at it--felt so horribly alive! How had those others learned to do without living? Nelson--well, he was still in the throes; and probably never would understand, or be able to communicate, the lesson when he had mastered it. But Grace Fulmer--she suddenly remembered that Grace was in Paris, and set forth to find her.