King, seeing no one, walked through the weeds to Honeycutt's door. The door was closed, the windows down--dirty windows, every corner of every pane with its dirty cobweb trap and skeletons of flies. As he lifted his foot to the first of the three front steps he heard voices. Nor would any man who had once listened to the deep, sullen bass of Swen Brodie have forgotten or have failed now in quick recognition. Brodie's mouth, when he spoke, dripped the vilest of vocabularies that had ever been known in these mountains, very much as old Honeycutt's toothless mouth, ever screwed up in rotary chewing and sucking movements, drooled tobacco juice upon his unclean shirt. Brodie at moments when he desired to be utterly inoffensive could not purge his utterance of oaths; he was one of those men who could not remark that it was a fine morning without first damning the thing, qualifying it with an epithet of vileness, and turning it out of his big, loose mouth sullied with syllables which do not get themselves into print.
What King heard, as though Brodie had held his speech for the moment and hurled it like a challenge to the man he did not know had come, was, when stripped of its cargo of verbal filth: "You old fool, you're dying right now. It's for me or Mark King to get it, and it ain't going to be King."
Honeycutt all the time was whining like a feeble spirit in pain, his utterances like the final dwindlings of a mean-spirited dog. King had never heard him whine like that; Honeycutt was more given to chucklings and clackings of defiance and derision. Perhaps Brodie as the ultimate argument had manhandled him. King threw open the door.
There stood old Honeycutt, tremblingly upheld upon his sawed-off broom-handle. Beyond him, facing the door, was Swen Brodie, his immense body towering over Honeycutt's spindling one, his bestial face hideous in its contortions as at once he gloated and threatened. In Brodie's hands, which were twice the size of an ordinary man's, was a little wooden box, to which Honeycutt's rheumy eyes were glued with frantic despair. Evidently the box had only now been taken from its hiding-place under a loose board in the floor; the board lay tossed to one side, and Brodie's legs straddled the opening.
Honeycutt did not know immediately that any one had entered; either his old ears had not heard, or his excited mind was concentrated so excludingly on Brodie that he had no thought of aught else. Brodie, however, turned his small, restless eyes, that were like two shiny bright-blue buttons, upon the intruder. His great mouth stood open showing his teeth. On that lower, deformed, undershot jaw of Swen Brodie were those monstrous teeth which were his pride, a misshapen double row which he kept clean while his body went unwashed, and between which the man could bend a nail.