"The hardest thing to manage was the death of 'Little Eva' with 'Uncle Tom' by the bedside, but managerial genius overcame the difficulty after the style of Mantell's 'Corsican Brothers.' You see it is all easy enough when you know how. 'Little Eva' is discovered, sitting up in bed with the curtains drawn back. She says what she has to say to her father and the rest. Then her father has a line in which he informs 'Eva' that she is tired and had better try to sleep. She says she will try, just to please him, and he gently lowers her back upon the pillows and draws the curtains in front of the bed. But instead of utilising this seclusion for a refreshing sleep 'Eva' rolls out at the back side of the bed. 'Legree' snatches off 'Eva's' wig and 'Topsy' deftly removes the white nightdress concealing his--'Eva's'--'Uncle Tom' make-up, while the erstwhile little girl hastily blackens his face and hands, puts on a negro wig, and in less than a minute is changed in colour, race, and sex. He 'gets round' left and enters the sick room as 'Uncle Tom' with 'Topsy.' They are both told that 'Little Eva' is asleep, and 'Topsy' peeps cautiously between the curtains and remarks that the child's eyes are open and staring. The father looks in and, overcome by grief, informs the audience that his child is dead. 'Topsy,' tearful and grief-stricken, 'gets off' right and washes up to 'do' 'Little Eva' climbing the golden stair in the last tableau. Meanwhile 'Uncle Tom,' in a paroxysm of grief, throws himself upon the bed and holds the stage till he smells the red fire for the vision; then he staggers down stage, strikes an attitude; the others do likewise; picture of 'Little Eva,' curtain. Talk about doubling 'Marcellus,' 'Polonius,' 'Osric,' and the 'First Grave Digger'! Why, that's nothing to these 'Uncle Tom' productions. But hold on, where did I get side-tracked? Oh, yes, the dogs.

"Well, as I was saying, as soon as I thought of Burwell I made up my mind at once to borrow one of his hounds. It was late when I got to his house. When I knocked at the door both Pompey and Caesar began sub-bass solos of growls, and Burwell was awake in a minute. I told him I wanted a dog for private business and took Caesar off with me. He found the trail with no difficulty, and followed it in a bee-line down to the water, where he raised his big muzzle and howled in dismal impotency. The assassin had taken to the water. I took the dog up and down the shore to see if he had returned to land, but all I found of interest was a clump of alders from which a pole had been cut. I knew by the dog's actions that the assassin had been there, for Caesar immediately took a new trail back to the house. Try as I might I could learn nothing further, and I at once returned the dog. There is no doubt that the murderer made his escape in a boat and took with him the pole he had cut, the boards he had worn, and everything else, I dare say, connected with his crime. One thing seems clear, and that is that we are dealing with no ordinary criminal. I would wager a good deal that this fellow, if ever he is caught, will be found to be a man of brains. I don't place much confidence in the Chinese theory, Doc, but as I have nothing better to offer, let us go see Miss Darrow. If her father has ever had any dealings with Chinamen, we shall probably deem it wise to look the Orientals up a bit."




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