But he’d been serious. They were to meet at nine in the old Hadley house. In the room where Madeleine died.
All evening she’d watched the clock creep forward. At first excruciatingly slowly, then it had seemed to race, the hands flying round the face. She’d been unable to eat and Peter had begged her not to go. And finally her terror had found purchase, and she’d agreed to stay behind. In their little cottage, by the fire, with a good book and a glass of Merlot.
Hiding.
But Clara knew if she did that she’d carry this cowardice for the rest of her life. And when the clock said five to nine she’d risen, as though in someone else’s body, put on her coat, and left. Like a zombie from one of Peter’s old black and white movies.
And she’d found herself in a black and white world. Without street lamps or traffic lights, Three Pines became bathed in black once the sun set. Except for the points of light in the sky. And the lights of the homes around the green that tonight seemed to warn her, beg her not to leave them, not to do this foolishness.
Through the darkness Clara joined the others. Myrna, Gabri, Monsieur Béliveau, the witch Jeanne, all trudging, as though they’d given up their own will, toward the haunted house on the hill.
Now she was back in that room. She looked at the faces, all staring at the flickering candle in the center of their circle, its light reflected in their eyes, like the pilot light for the fear they carried. It struck Clara how threatening the simple flicker of a candle can be when that’s all you have.
Odile and Gilles were across from her, as were Hazel and Sophie.
Monsieur Béliveau sat beside Clara and Jeanne Chauvet took her seat beside Gabri, who was festooned with crucifixes, Stars of David and a croissant in his pocket. Myrna asked because it looked like something else.
But still their circle was broken. One chair was on its side, having tumbled into the center almost a week ago, and there it sat like a memorial, though in the uncertain light it looked like a skeleton with its wooden arms and legs and ribbed back throwing distorted shadows against the wall.
It was a calm and tranquil night, outside the old Hadley house. But inside the house had its own atmosphere, its own gravity. It was a world of groans and creaks, of sorrow and sighs. The house had taken another life, two if you count the bird, and it was hungry again. It wanted more. It felt like a tomb. Worse, thought Clara, it felt like limbo. In stepping into the house, into this room, they’d walked into a netherworld, somewhere between life and death. A world where they were about to be judged, and separated.
Out of the dark a hand reached into their circle and grabbed the skeletal chair. Then Armand Gamache joined them, sitting silently for a moment, leaning forward, elbows on his legs, his large powerful hands together, his fingers intertwined as though in prayer. His deep brown eyes were thoughtful.
She heard an exhale. The candle flickered violently, from the force of their stress released.
Gamache looked at them. At Clara he seemed to pause and smile, but Clara thought everyone probably had that impression. She wondered how he managed to make time disobey its own rules. Though she also knew Three Pines itself was like that, a village where time seemed flexible.
‘This is a tragedy of secrets,’ said Gamache. ‘It’s a story of hauntings, of ghosts, of wickedness dressed as valor. It’s a story of things hidden and buried. Alive. When something not quite dead is buried it eventually comes back,’ he said after a moment’s pause. ‘It claws its way out of the dirt, rancid and fetid. And hungry.
‘That’s what happened here. Everyone in this room has a secret. Something to hide. Something that came alive a few days ago. When Agent Lacoste told me about her interview with Madeleine’s husband I started to get some insight into this murder. He described Madeleine as the sun. Life-giving, joyous, bright and cheerful.’
Around the circle the glowing faces nodded.
‘But the sun also scalds. It burns and blinds.’ He looked at each of them again. ‘And it creates strong shadows. Who can live close to the sun? I thought of Icarus, the beautiful boy who with his father made wings to fly. His father gave him one warning, though. Do not fly too close to the sun. But, of course, he did. Anyone with children will understand how that can happen.’
His eyes flickered to Hazel. Her face was blank. Empty. Where once there’d been anxiety, pain, anger, now there was nothing. The horsemen had ridden through, leaving nothing standing. But Gamache thought maybe they hadn’t brought grief. The horsemen Hazel had been desperate to keep at bay carried something far more terrifying. Their burden was loneliness.