"Andrea, Andrea," repeated several young people, who were already on sufficiently intimate terms with him to call him by his Christian name.
"Call the prince; inform him that it is his turn to sign," cried Danglars to one of the floorkeepers.
But at the same instant the crowd of guests rushed in alarm into the principal salon as if some frightful monster had entered the apartments, quaerens quem devoret. There was, indeed, reason to retreat, to be alarmed, and to scream. An officer was placing two soldiers at the door of each drawing-room, and was advancing towards Danglars, preceded by a commissary of police, girded with his scarf. Madame Danglars uttered a scream and fainted. Danglars, who thought himself threatened (certain consciences are never calm),--Danglars even before his guests showed a countenance of abject terror.
"What is the matter, sir?" asked Monte Cristo, advancing to meet the commissioner.
"Which of you gentlemen," asked the magistrate, without replying to the count, "answers to the name of Andrea Cavalcanti?" A cry of astonishment was heard from all parts of the room. They searched; they questioned. "But who then is Andrea Cavalcanti?" asked Danglars in amazement.
"A galley-slave, escaped from confinement at Toulon."
"And what crime has he committed?"
"He is accused," said the commissary with his inflexible voice, "of having assassinated the man named Caderousse, his former companion in prison, at the moment he was making his escape from the house of the Count of Monte Cristo." Monte Cristo cast a rapid glance around him. Andrea was gone.