After a time the subject temporarily lost its tang. The interest of the two young men was not particularly technical. They were in love with generalities. Anthony had recently discovered Samuel Butler and the brisk aphorisms in the note-book seemed to him the quintessence of criticism. Maury, his whole mind so thoroughly mellowed by the very hardness of his scheme of life, seemed inevitably the wiser of the two, yet in the actual stuff of their intelligences they were not, it seemed, fundamentally different.
They drifted from letters to the curiosities of each other's day.
"Whose tea was it?"
"People named Abercrombie."
"Why'd you stay late? Meet a luscious débutante?"
"Yes."
"Did you really?" Anthony's voice lifted in surprise.
"Not a débutante exactly. Said she came out two winters ago in Kansas City."
"Sort of left-over?"
"No," answered Maury with some amusement, "I think that's the last thing I'd say about her. She seemed--well, somehow the youngest person there."
"Not too young to make you miss a train."
"Young enough. Beautiful child."
Anthony chuckled in his one-syllable snort.
"Oh, Maury, you're in your second childhood. What do you mean by beautiful?"
Maury gazed helplessly into space.
"Well, I can't describe her exactly--except to say that she was beautiful. She was--tremendously alive. She was eating gum-drops."
"What!"
"It was a sort of attenuated vice. She's a nervous kind--said she always ate gum-drops at teas because she had to stand around so long in one place."
"What'd you talk about--Bergson? Bilphism? Whether the one-step is immoral?"
Maury was unruffled; his fur seemed to run all ways.
"As a matter of fact we did talk on Bilphism. Seems her mother's a Bilphist. Mostly, though, we talked about legs."
Anthony rocked in glee.
"My God! Whose legs?"
"Hers. She talked a lot about hers. As though they were a sort of choice bric-à-brac. She aroused a great desire to see them."
"What is she--a dancer?"
"No, I found she was a cousin of Dick's."
Anthony sat upright so suddenly that the pillow he released stood on end like a live thing and dove to the floor.
"Name's Gloria Gilbert?" he cried.
"Yes. Isn't she remarkable?"
"I'm sure I don't know--but for sheer dulness her father--"
"Well," interrupted Maury with implacable conviction, "her family may be as sad as professional mourners but I'm inclined to think that she's a quite authentic and original character. The outer signs of the cut-and-dried Yale prom girl and all that--but different, very emphatically different."