On the fifth day then, Anthony sallied into the street with all the sensations of a man wanted by the police. Acting according to instructions he selected a tall office building in order that he might ride to the top story and work downward, stopping in every office that had a name on the door. But at the last minute he hesitated. Perhaps it would be more practicable to acclimate himself to the chilly atmosphere which he felt was awaiting him by trying a few offices on, say, Madison Avenue. He went into an arcade that seemed only semi-prosperous, and seeing a sign which read Percy B. Weatherbee, Architect, he opened the door heroically and entered. A starchy young woman looked up questioningly.

"Can I see Mr. Weatherbee?" He wondered if his voice sounded tremulous.

She laid her hand tentatively on the telephone-receiver.

"What's the name, please?"

"He wouldn't--ah--know me. He wouldn't know my name."

"What's your business with him? You an insurance agent?"

"Oh, no, nothing like that!" denied Anthony hurriedly. "Oh, no. It's a--it's a personal matter." He wondered if he should have said this. It had all sounded so simple when Mr. Carleton had enjoined his flock: "Don't allow yourself to be kept out! Show them you've made up your mind to talk to them, and they'll listen."

The girl succumbed to Anthony's pleasant, melancholy face, and in a moment the door to the inner room opened and admitted a tall, splay-footed man with slicked hair. He approached Anthony with ill-concealed impatience.

"You wanted to see me on a personal matter?"

Anthony quailed.

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"I wanted to talk to you," he said defiantly.

"About what?"

"It'll take some time to explain."

"Well, what's it about?" Mr. Weatherbee's voice indicated rising irritation.

Then Anthony, straining at each word, each syllable, began: "I don't know whether or not you've ever heard of a series of pamphlets called 'Heart Talks'--"

"Good grief!" cried Percy B. Weatherbee, Architect, "are you trying to touch my heart?"

"No, it's business. 'Heart Talks' have been incorporated and we're putting some shares on the market--"

His voice faded slowly off, harassed by a fixed and contemptuous stare from his unwilling prey. For another minute he struggled on, increasingly sensitive, entangled in his own words. His confidence oozed from him in great retching emanations that seemed to be sections of his own body. Almost mercifully Percy B. Weatherbee, Architect, terminated the interview: "Good grief!" he exploded in disgust, "and you call that a _personal_ matter!" He whipped about and strode into his private office, banging the door behind him. Not daring to look at the stenographer, Anthony in some shameful and mysterious way got himself from the room. Perspiring profusely he stood in the hall wondering why they didn't come and arrest him; in every hurried look he discerned infallibly a glance of scorn.




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