Much of Sara Lee's life at home had faded. She seemed to be two people.

One was the girl who had knitted the afghan for Anna, and had hidden it

away from Uncle James' kind but curious eyes. And one was this present

Sara Lee, living on the edge of eternity, and seeing men die or suffer

horribly, not to gain anything--except perhaps some honorable

advancement for their souls--but that there might be preserved, at any

cost, the right of honest folk to labor in their fields, to love, to

pray, and at last to sleep in the peace of God.

She had lost the past and she dared not look into the future. So she

was living each day as it came, with its labor, its love, its prayers

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and at last its sleep. Even Harvey seemed remote and stern and bitter.

She reread his letters often, but they were forced. And after a time

she realized another quality in them. They were self-centered. It was

his anxiety, his loneliness, his humiliation. Sara Lee's eyes were

looking out, those days, over a suffering world. Harvey's eyes were

turned in on himself.

She realized this, but she never formulated it, even to herself. What

she did acknowledge was a growing fear of the reunion which must come

sometime--that he was cherishing still further bitterness against that

day, that he would say things that he would regret later. Sometimes the

thought of that day came to her when she was doing a dressing, and her

hands would tremble.

Henri had not returned when, the second day after Rene's death, the

letter came which recalled her. She opened it eagerly. Though from

Harvey there usually came at the best veiled reproach, the society had

always sent its enthusiastic approval.

She read it twice before she understood, and it was only when she read

Belle's letter again that she began to comprehend. She was recalled;

and the recall was Harvey's work.

She was very close to hating him that day. He had never understood.

She would go back to him, as she had promised; but always, all the rest

of their lives, there would be this barrier between them. To the

barrier of his bitterness would be added her own resentment. She could

never even talk to him of her work, of those great days when in her

small way she had felt herself a part of the machinery of mercy of

the war.

Harvey had lost something out of Sara Lee's love for him. He had done

it himself, madly, despairingly. She still loved him, she felt. Nothing

could change that or her promise to him. But with that love there was

something now of fear. And she felt, too, that after all the years she

had known him she had not known him at all. The Harvey she had known

was a tender and considerate man, soft-spoken, slow to wrath, always

gentle. But the Harvey of his letters and of the recall was a stranger.