"Well, you are absurdly melancholy, Tess. I have no
reason for flattering you now, and I can say plainly
that you need not be so sad. You can hold your own for
beauty against any woman of these parts, gentle or
simple; I say it to you as a practical man and
well-wisher. If you are wise you will show it to the
world more than you do before it fades... And yet,
Tess, will you come back to me! Upon my soul, I don't
like to let you go like this!"
"Never, never! I made up my mind as soon as I saw--what I ought to
have seen sooner; and I won't come."
"Then good morning, my four months' cousin--good-bye!"
He leapt up lightly, arranged the reins, and was gone between the
tall red-berried hedges.
Tess did not look after him, but slowly wound along the crooked lane.
It was still early, and though the sun's lower limb was just free of
the hill, his rays, ungenial and peering, addressed the eye rather
than the touch as yet. There was not a human soul near. Sad October
and her sadder self seemed the only two existences haunting that
lane. As she walked, however, some footsteps approached behind her, the
footsteps of a man; and owing to the briskness of his advance he was
close at her heels and had said "Good morning" before she had been
long aware of his propinquity. He appeared to be an artisan of some
sort, and carried a tin pot of red paint in his hand. He asked
in a business-like manner if he should take her basket, which she
permitted him to do, walking beside him. "It is early to be astir this Sabbath morn!" he said cheerfully. "
Yes," said Tess. "When most people are at rest from their week's work."
She also assented to this. "Though I do more real work to-day than all the week besides."
"Do you?"
"All the week I work for the glory of man, and on Sunday for the
glory of God. That's more real than the other--hey? I have a little
to do here at this stile." The man turned, as he spoke, to an
opening at the roadside leading into a pasture. "If you'll wait a
moment," he added, "I shall not be long."
As he had her basket she could not well do otherwise; and she waited,
observing him. He set down her basket and the tin pot, and stirring
the paint with the brush that was in it began painting large square
letters on the middle board of the three composing the stile, placing
a comma after each word, as if to give pause while that word was
driven well home to the reader's heart-