Golding approached, fighting down the resonance of his huge bulk, which transmitted his will as through a gargantuan amplifier, and Nicole, still reluctant, yielded to his reiterated points: that the Margin was starting for Cannes immediately after dinner; that they could always pack in some caviare and champagne, even though they had dined; that in any case Dick was now on the phone, telling their chauffeur in Nice to drive their car back to Cannes and leave it in front of the Café des Alliées where the Divers could retrieve it.
They moved into the dining salon and Dick was placed next to Lady Sibly-Biers. Nicole saw that his usually ruddy face was drained of blood; he talked in a dogmatic voice, of which only snatches reached Nicole:
“. . . It’s all right for you English, you’re doing a dance of death. . . . Sepoys in the ruined fort, I mean Sepoys at the gate and gaiety in the fort and all that. The green hat, the crushed hat, no future.”
Lady Caroline answered him in short sentences spotted with the terminal “What?” the double-edged “Quite!” the depressing “Cheerio!” that always had a connotation of imminent peril, but Dick appeared oblivious to the warning signals. Suddenly he made a particularly vehement pronouncement, the purport of which eluded Nicole, but she saw the young woman turn dark and sinewy, and heard her answer sharply:
“After all a chep’s a chep and a chum’s a chum.”
Again he had offended some one—couldn’t he hold his tongue a little longer? How long? To death then.
At the piano, a fair-haired young Scotsman from the orchestra (entitled by its drum “The Ragtime College Jazzes of Edinboro”) had begun singing in a Danny Deever monotone, accompanying himself with low chords on the piano. He pronounced his words with great precision, as though they impressed him almost intolerably.
“There was a young lady from hell,
Who jumped at the sound of a bell,
Because she was bad—bad—bad,
She jumped at the sound of a bell,
From hell (BOOMBOOM)
From hell (TOOTTOOT)
There was a young lady from hell—”
“What is all this?” whispered Tommy to Nicole.
The girl on the other side of him supplied the answer:
“Caroline Sibly-Biers wrote the words. He wrote the music.”
“Quelle enfanterie!” Tommy murmured as the next verse began, hinting at the jumpy lady’s further predilections. “On dirait qu’il récite Racine!”
On the surface at least, Lady Caroline was paying no attention to the performance of her work. Glancing at her again Nicole found herself impressed, neither with the character nor the personality, but with the sheer strength derived from an attitude; Nicole thought that she was formidable, and she was confirmed in this point of view as the party rose from table. Dick remained in his seat wearing an odd expression; then he crashed into words with a harsh ineptness.
“I don’t like innuendo in these deafening English whispers.”
Already half-way out of the room Lady Caroline turned and walked back to him; she spoke in a low clipped voice purposely audible to the whole company.
“You came to me asking for it—disparaging my countrymen, disparaging my friend, Mary Minghetti. I simply said you were observed associating with a questionable crowd in Lausanne. Is that a deafening whisper? Or does it simply deafen YOU?”
“It’s still not loud enough,” said Dick, a little too late. “So I am actually a notorious—”
Golding crushed out the phrase with his voice saying:
“What! What!” and moved his guests on out, with the threat of his powerful body. Turning the corner of the door Nicole saw that Dick was still sitting at the table. She was furious at the woman for her preposterous statement, equally furious at Dick for having brought them here, for having become fuddled, for having untipped the capped barbs of his irony, for having come off humiliated—she was a little more annoyed because she knew that her taking possession of Tommy Barban on their arrival had first irritated the Englishwoman.
A moment later she saw Dick standing in the gangway, apparently in complete control of himself as he talked with Golding; then for half an hour she did not see him anywhere about the deck and she broke out of an intricate Malay game, played with string and coffee beans, and said to Tommy:
“I’ve got to find Dick.”
Since dinner the yacht had been in motion westward. The fine night streamed away on either side, the Diesel engines pounded softly, there was a spring wind that blew Nicole’s hair abruptly when she reached the bow, and she had a sharp lesion of anxiety at seeing Dick standing in the angle by the flagstaff. His voice was serene as he recognized her.
“It’s a nice night.”
“I was worried.”
“Oh, you were worried?”
“Oh, don’t talk that way. It would give me so much pleasure to think of a little something I could do for you, Dick.”
He turned away from her, toward the veil of starlight over Africa.
“I believe that’s true, Nicole. And sometimes I believe that the littler it was, the more pleasure it would give you.”
“Don’t talk like that—don’t say such things.”
His face, wan in the light that the white spray caught and tossed back to the brilliant sky had none of the lines of annoyance she had expected. It was even detached; his eyes focussed upon her gradually as upon a chessman to be moved; in the same slow manner he caught her wrist and drew her near.