One Englishwoman spoke to him always about a subject which she considered her own.

“Have we got music to-night?”

“I don’t know,” he answered. “I haven’t seen Doctor Ladislau. How did you enjoy the music that Mrs. Sachs and Mr. Longstreet gave us last night?”

“It was so-so.”

“I thought it was fine—especially the Chopin.”

“I thought it was so-so.”

“When are you going to play for us yourself?”

She shrugged her shoulders, as pleased at this question as she had been for several years.

“Some time. But I only play so-so.”

They knew that she did not play at all—she had had two sisters who were brilliant musicians, but she had never been able to learn the notes when they had been young together.

From the workshop Dick went to visit the Eglantine and the Beeches. Exteriorly these houses were as cheerful as the others; Nicole had designed the decoration and the furniture on a necessary base of concealed grills and bars and immovable furniture. She had worked with so much imagination—the inventive quality, which she lacked, being supplied by the problem itself—that no instructed visitor would have dreamed that the light, graceful filagree work at a window was a strong, unyielding end of a tether, that the pieces reflecting modern tubular tendencies were stancher than the massive creations of the Edwardians—even the flowers lay in iron fingers and every casual ornament and fixture was as necessary as a girder in a skyscraper. Her tireless eyes had made each room yield up its greatest usefulness. Complimented, she referred to herself brusquely as a master plumber.

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For those whose compasses were not depolarized there seemed many odd things in these houses. Doctor Diver was often amused in the Eglantine, the men’s building—here there was a strange little exhibitionist who thought that if he could walk unclothed and unmolested from the Êtoile to the Place de la Concorde he would solve many things—and, perhaps, Dick thought, he was quite right.

His most interesting case was in the main building. The patient was a woman of thirty who had been in the clinic six months; she was an American painter who had lived long in Paris. They had no very satisfactory history of her. A cousin had happened upon her all mad and gone and after an unsatisfactory interlude at one of the whoopee cures that fringed the city, dedicated largely to tourist victims of drug and drink, he had managed to get her to Switzerland. On her admittance she had been exceptionally pretty— now she was a living agonizing sore. All blood tests had failed to give a positive reaction and the trouble was unsatisfactorily catalogued as nervous eczema. For two months she had lain under it, as imprisoned as in the Iron Maiden. She was coherent, even brilliant, within the limits of her special hallucinations.

She was particularly his patient. During spells of overexcitement he was the only doctor who could “do anything with her.” Several weeks ago, on one of many nights that she had passed in sleepless torture Franz had succeeded in hypnotizing her into a few hours of needed rest, but he had never again succeeded. Hypnosis was a tool that Dick had distrusted and seldom used, for he knew that he could not always summon up the mood in himself—he had once tried it on Nicole and she had scornfully laughed at him.

The woman in room twenty could not see him when he came in—the area about her eyes was too tightly swollen. She spoke in a strong, rich, deep, thrilling voice.

“How long will this last? Is it going to be forever?”

“It’s not going to be very long now. Doctor Ladislau tells me there are whole areas cleared up.”

“If I knew what I had done to deserve this I could accept it with equanimity.”

“It isn’t wise to be mystical about it—we recognize it as a nervous phenomenon. It’s related to the blush—when you were a girl, did you blush easily?”

She lay with her face turned to the ceiling.

“I have found nothing to blush for since I cut my wisdom teeth.”

“Haven’t you committed your share of petty sins and mistakes?”

“I have nothing to reproach myself with.”

“You’re very fortunate.”

The woman thought a moment; her voice came up through her bandaged face afflicted with subterranean melodies:

“I’m sharing the fate of the women of my time who challenged men to battle.”

“To your vast surprise it was just like all battles,” he answered, adopting her formal diction.

“Just like all battles.” She thought this over. “You pick a set- up, or else win a Pyrrhic victory, or you’re wrecked and ruined— you’re a ghostly echo from a broken wall.”

“You are neither wrecked nor ruined,” he told her. “Are you quite sure you’ve been in a real battle?”

“Look at me!” she cried furiously.

“You’ve suffered, but many women suffered before they mistook themselves for men.” It was becoming an argument and he retreated. “In any case you mustn’t confuse a single failure with a final defeat.”

She sneered. “Beautiful words,” and the phrase transpiring up through the crust of pain humbled him.

“We would like to go into the true reasons that brought you here—” he began but she interrupted.

“I am here as a symbol of something. I thought perhaps you would know what it was.”

“You are sick,” he said mechanically.

“Then what was it I had almost found?”




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