It was dusk, and she was sitting by the fire in the dining-room or hall, which they occupied at this time of the year in preference to the parlour, because of its large hearth, constructed for turf-fires, a fuel the captain was partial to in the winter season. The only visible articles in the room were those on the window-sill, which showed their shapes against the low sky, the middle article being the old hourglass, and the other two a pair of ancient British urns which had been dug from a barrow near, and were used as flowerpots for two razor-leaved cactuses. Somebody knocked at the door. The servant was out; so was her grandfather. The person, after waiting a minute, came in and tapped at the door of the room.
"Who's there?" said Eustacia.
"Please, Cap'n Vye, will you let us----"
Eustacia arose and went to the door. "I cannot allow you to come in so boldly. You should have waited."
"The cap'n said I might come in without any fuss," was answered in a lad's pleasant voice.
"Oh, did he?" said Eustacia more gently. "What do you want, Charley?"
"Please will your grandfather lend us his fuelhouse to try over our parts in, tonight at seven o'clock?"
"What, are you one of the Egdon mummers for this year?"
"Yes, miss. The cap'n used to let the old mummers practise here."
"I know it. Yes, you may use the fuelhouse if you like," said Eustacia languidly.
The choice of Captain Vye's fuelhouse as the scene of rehearsal was dictated by the fact that his dwelling was nearly in the centre of the heath. The fuelhouse was as roomy as a barn, and was a most desirable place for such a purpose. The lads who formed the company of players lived at different scattered points around, and by meeting in this spot the distances to be traversed by all the comers would be about equally proportioned.
For mummers and mumming Eustacia had the greatest contempt. The mummers themselves were not afflicted with any such feeling for their art, though at the same time they were not enthusiastic. A traditional pastime is to be distinguished from a mere revival in no more striking feature than in this, that while in the revival all is excitement and fervour, the survival is carried on with a stolidity and absence of stir which sets one wondering why a thing that is done so perfunctorily should be kept up at all. Like Balaam and other unwilling prophets, the agents seem moved by an inner compulsion to say and do their allotted parts whether they will or no. This unweeting manner of performance is the true ring by which, in this refurbishing age, a fossilized survival may be known from a spurious reproduction.