Her presence brought memories of such things as Bourbon roses, rubies, and tropical midnight; her moods recalled lotus-eaters and the march in Athalie; her motions, the ebb and flow of the sea; her voice, the viola. In a dim light, and with a slight rearrangement of her hair, her general figure might have stood for that of either of the higher female deities. The new moon behind her head, an old helmet upon it, a diadem of accidental dewdrops round her brow, would have been adjuncts sufficient to strike the note of Artemis, Athena, or Hera respectively, with as close an approximation to the antique as that which passes muster on many respected canvases.

But celestial imperiousness, love, wrath, and fervour had proved to be somewhat thrown away on netherward Egdon. Her power was limited, and the consciousness of this limitation had biassed her development. Egdon was her Hades, and since coming there she had imbibed much of what was dark in its tone, though inwardly and eternally unreconciled thereto. Her appearance accorded well with this smouldering rebelliousness, and the shady splendour of her beauty was the real surface of the sad and stifled warmth within her. A true Tartarean dignity sat upon her brow, and not factitiously or with marks of constraint, for it had grown in her with years.

Across the upper part of her head she wore a thin fillet of black velvet, restraining the luxuriance of her shady hair, in a way which added much to this class of majesty by irregularly clouding her forehead. "Nothing can embellish a beautiful face more than a narrow band drawn over the brow," says Richter. Some of the neighbouring girls wore coloured ribbon for the same purpose, and sported metallic ornaments elsewhere; but if anyone suggested coloured ribbon and metallic ornaments to Eustacia Vye she laughed and went on.

Why did a woman of this sort live on Egdon Heath? Budmouth was her native place, a fashionable seaside resort at that date. She was the daughter of the bandmaster of a regiment which had been quartered there--a Corfiote by birth, and a fine musician--who met his future wife during her trip thither with her father the captain, a man of good family. The marriage was scarcely in accord with the old man's wishes, for the bandmaster's pockets were as light as his occupation. But the musician did his best; adopted his wife's name, made England permanently his home, took great trouble with his child's education, the expenses of which were defrayed by the grandfather, and throve as the chief local musician till her mother's death, when he left off thriving, drank, and died also. The girl was left to the care of her grandfather, who, since three of his ribs became broken in a shipwreck, had lived in this airy perch on Egdon, a spot which had taken his fancy because the house was to be had for next to nothing, and because a remote blue tinge on the horizon between the hills, visible from the cottage door, was traditionally believed to be the English Channel. She hated the change; she felt like one banished; but here she was forced to abide.




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