She gazed at him in amazement.

He replied to the glance,-"Oh! I well know why," and he went away.

On another occasion he presented himself at the door of the cell (which he never entered) at the moment when la Esmeralda was singing an old Spanish ballad, the words of which she did not understand, but which had lingered in her ear because the gypsy women had lulled her to sleep with it when she was a little child. At the sight of that villanous form which made its appearance so abruptly in the middle of her song, the young girl paused with an involuntary gesture of alarm. The unhappy bellringer fell upon his knees on the threshold, and clasped his large, misshapen hands with a suppliant air. "Oh!" he said, sorrowfully, "continue, I implore you, and do not drive me away." She did not wish to pain him, and resumed her lay, trembling all over. By degrees, however, her terror disappeared, and she yielded herself wholly to the slow and melancholy air which she was singing. He remained on his knees with hands clasped, as in prayer, attentive, hardly breathing, his gaze riveted upon the gypsy's brilliant eyes.

On another occasion, he came to her with an awkward and timid air. "Listen," he said, with an effort; "I have something to say to you." She made him a sign that she was listening. Then he began to sigh, half opened his lips, appeared for a moment to be on the point of speaking, then he looked at her again, shook his head, and withdrew slowly, with his brow in his hand, leaving the gypsy stupefied. Among the grotesque personages sculptured on the wall, there was one to whom he was particularly attached, and with which he often seemed to exchange fraternal glances. Once the gypsy heard him saying to it,-"Oh! why am not I of stone, like you!"

At last, one morning, la Esmeralda had advanced to the edge of the roof, and was looking into the Place over the pointed roof of Saint-Jean le Rond. Quasimodo was standing behind her. He had placed himself in that position in order to spare the young girl, as far as possible, the displeasure of seeing him. All at once the gypsy started, a tear and a flash of joy gleamed simultaneously in her eyes, she knelt on the brink of the roof and extended her arms towards the Place with anguish, exclaiming: "Phoebus! come! come! a word, a single word in the name of heaven! Phoebus! Phoebus!" Her voice, her face, her gesture, her whole person bore the heartrending expression of a shipwrecked man who is making a signal of distress to the joyous vessel which is passing afar off in a ray of sunlight on the horizon.




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