"This pretended foundling is a real monster of abomination," resumed Jehanne.

"He yells loud enough to deafen a chanter," continued Gauchère. "Hold your tongue, you little howler!"

"To think that Monsieur of Reims sent this enormity to Monsieur of Paris," added la Gaultière, clasping her hands.

"I imagine," said Agnes la Herme, "that it is a beast, an animal,--the fruit of--a Jew and a sow; something not Christian, in short, which ought to be thrown into the fire or into the water."

"I really hope," resumed la Gaultière, "that nobody will apply for it."

"Ah, good heavens!" exclaimed Agnes; "those poor nurses yonder in the foundling asylum, which forms the lower end of the lane as you go to the river, just beside Monseigneur the bishop! what if this little monster were to be carried to them to suckle? I'd rather give suck to a vampire."

"How innocent that poor la Herme is!" resumed Jehanne; "don't you see, sister, that this little monster is at least four years old, and that he would have less appetite for your breast than for a turnspit."

The "little monster" we should find it difficult ourselves to describe him otherwise, was, in fact, not a new-born child. It was a very angular and very lively little mass, imprisoned in its linen sack, stamped with the cipher of Messire Guillaume Chartier, then bishop of Paris, with a head projecting. That head was deformed enough; one beheld only a forest of red hair, one eye, a mouth, and teeth. The eye wept, the mouth cried, and the teeth seemed to ask only to be allowed to bite. The whole struggled in the sack, to the great consternation of the crowd, which increased and was renewed incessantly around it.

Dame Aloise de Gondelaurier, a rich and noble woman, who held by the hand a pretty girl about five or six years of age, and dragged a long veil about, suspended to the golden horn of her headdress, halted as she passed the wooden bed, and gazed for a moment at the wretched creature, while her charming little daughter, Fleur-de-Lys de Gondelaurier, spelled out with her tiny, pretty finger, the permanent inscription attached to the wooden bed: "Foundlings."

"Really," said the dame, turning away in disgust, "I thought that they only exposed children here."

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She turned her back, throwing into the basin a silver florin, which rang among the liards, and made the poor goodwives of the chapel of Etienne Haudry open their eyes.

A moment later, the grave and learned Robert Mistricolle, the king's protonotary, passed, with an enormous missal under one arm and his wife on the other (Damoiselle Guillemette la Mairesse), having thus by his side his two regulators,--spiritual and temporal.




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