Potato Famine, 1845. Against my will, my cheeks flush. Charlie and Pink Hair’s heads (and every girl’s in the room, actually) whip toward me. I don’t look at anyone.
“So,” Davenport continues, heading back behind the lectern and looking at his notes, “I know this is your A course and all we’re meant to do is reconnoiter the selected reading each week, but where’s the fun in that, eh? The English faculty cocked up and gave me teaching responsibilities, so by God I’m going to teach! When I was doing my master of studies here, I often felt a bit adrift, so here’s what I propose: I’ll only do this once, don’t worry, but I’d like to have everyone dash off a quick paper for me, and we’ll have a chat about it.” He looks, again, at me. “I forgot to mention I have the right to change my mind at any given moment. Apologies.” To the rest of the class, he says, “The paper will serve to educate me, your humble Strand Convener, about your perspectives and predilections and help me guide you to the appropriate adviser for your dissertation in Trinity Term. I know, seems far off, eh? ‘Miles to go before I sleep . . .’” He looks to me and extends his hand, begging an answer to his unspoken question.
“Robert Frost, 1922,” I say. Without raising my hand. Nailed it.
“A little-known American poet.” He grins at me again. “Dates. Definitely a strong point.”
English Rose lifts her head. “Didn’t he write those quaint little children’s songs?”
I take a fortifying breath while Jamie Davenport says, “I don’t actually know,” then looks out at everyone else. “I’d like you to pick a poem, and give me a page on it. Don’t explicate rhyme scheme, meter, et cetera—this isn’t sixth form. Speak of it as you would a friend. Describe its charms and quirks, its faults, how it achieves its intended effects. Does it flirt, offend, mislead? How does it make you feel?”
Besides the fact that he might as well be talking about himself right now, this assignment actually excites me. This I can do. I will write the ever-loving shit out of this. I will redeem myself. I glance around the room. Everyone else looks very British about it, like this is where fun comes to die.
“Send them to me via e-mail and we’ll schedule a tute. Have a great week, everyone.”
He begins collecting his papers. The Jamie Davenport Show is over. As I slip toward the door, I feel Charlie next to me, questions wafting off him like cologne.
“Ella?”
I stop and look back at the lectern.
He’s not looking at me; he’s still fiddling with his papers. “A word, please?”
Charlie gives me a slight push forward and then he and Pink Hair slip reluctantly out the door. I gather myself and step in front of the podium. Davenport looks up and nails me with his eyes and suddenly I’m a boat caught in a current. What is it about those eyes?
“Yes?” I ask.
“Was it ruined?” he murmurs. “Your blouse?”
“Among other things.”
His face is open, receptive. The smugness from last night is gone, the performance of the last hour is gone. He is startlingly focused. We continue to look at each other. “Apologies,” he finally says. “For every bit of it. I won’t make excuses, but I will explain. I’d had a spot of bad news earlier and I’d had a drink and I was entirely too slow to recognize the affront I’d caused.”
My reply is quicker than my thoughts. “It’s not necessary—”
“Please, I understand if this apology comes as too little too late, and I have no expectation of forgiveness, nor do I, arguably, deserve it, but do know that I acted without malice and my idiocy was nothing more than that. Sheer idiocy. You simply got tangled up in it. It was, invariably, an act of treason against my own better judgment, and . . . well,” he concludes. “There it is.”
I’ve got nothing. I was sure I’d have the perfect, cutting retort, but that was a Mr. Darcy–caliber speech. Not to mention his voice makes me feel as if I’m lying in a hammock. He’s waiting for my response. I’m having trouble talking.
Finally, the words “apology accepted” drop out of my mouth. I can’t stop staring at him. He has a classically proportioned face. Strong forehead, protractor jawline, straight nose, full lips. The kind of face that on anyone with less personality might seem benignly handsome. I like guys with something distinctive, a crooked nose or a scar across an eyebrow, something that hints at a story. Jamie Davenport’s face is a blank page. Except for those eyes, that is.
Still staring. It’s starting to feel like a contest.
I break the spell and nod once, turning to go, but then I hear, “You could have waited.”
I spin around. “For what?”
“Blurting out ‘1845’ like that. She had seven seconds left,” he deadpans.
I can’t help the smile that pulls at my lips. “I don’t think either of us believes time was the issue.”
He grins, a knowing, appreciative grin. My stomach inexplicably flops and I realize I’ve barely eaten today. That must be it. “Anything else, Professor?”
“No, that will be all,” he murmurs. “Ella from Ohio.”
“Okay, then . . . posh prat.” I turn and walk to the door. Glancing back (the kind of glance you can always disavow if necessary), I see he’s shuffling papers again and biting his bottom lip, as if to keep from smiling. Someone brushes past me into the classroom. English Rose. She approaches the podium and I find myself pausing in the doorway to adjust the strap on my bag.
I hear her say, “Congratulations, Professor.”
“Shh,” he replies. “The real professors will hear you.”
“You’re quite wonderful, Jamie. I was well impressed.”
“Cheers, Ce.”
“If my being here is too distracting, surely I can switch out—”
“Come now, don’t be daft, Ce. I love looking out at a sea of dubious faces and finding yours.”
My bag slips from my hand and thuds to the floor. They both turn at the disturbance. “Sorry,” I mutter, grab my bag, and escape.
Chapter 6
I took my scrip of manna sweet,
My cruse of water did I bless;
I took the white dove by the feet,
And flew into the wilderness.
Richard Watson Dixon, “Dream,” 1861
Outside I am greeted by the sight of my two classmates huddled in a pocket of sunshine, arguing quietly. She shakes her pink head while he throws his back and groans.
“Hey,” I say, stepping forward.
They break apart and give me two big, fake smiles. “Hello!” she squeaks. “I’m Margaret Timms. Sorry, Maggie, actually. You made quite the impression in there. With those dates. And whatnot.” She has the most adorable baby voice, a little husky, but high and bright.
I stick out my hand. She looks surprised, but takes it. “Thank you. Ella Durran.” I worry I’m crushing her thin little bird fingers, but she keeps smiling.
The three of us stand at the precipice of an awkward silence until Charlie, putting on sunglasses, says, “Maggie was actually wondering . . .”
I turn to Maggie. She looks as if she’s being held at gunpoint. “No, I—sorry, I was just—” she stammers. I quirk my head. After one more excruciating moment, she bursts. “I was just wondering if you know that ‘Oxfordian’ also happens to be the geologic designation for the early stage of the late Jurassic period?”