Poor Aurelia, pride had less to do with her silence than absolute uncertainty what to call herself. The wedding ring was on her finger, and she would not deny her marriage by calling herself Delavie, but Belamour might be dangerous, and the prefix was likewise a difficulty, so faltered, "You may call me Madam Aurelia."
"Madam Really. That's a queer name, but it will serve while you are here."
"Pray let me go to my room," entreated the poor prisoner, who felt as ineffable disgust at her jailor, and was becoming sensible to extreme fatigue.
"Your room, hey? D'ye think I keep rooms and beds as though this were an inn, single-handed as I am? You must wait, unless you be too fine to lend a hand."
"Anything will do," said Aurelia, "if I may only rest. I would help, but I am so much tired that I can hardly stand."
"My Lady has given it to you well, Mistress Really or Mistress Falsely, which ever you may be," mumbled Madge, perhaps in soliloquy, fumbling at the lock of a room which at last she opened. It smelt very close and fusty, and most of the furniture was heaped together under a cloth in the midst, dimly visible by the light of a heart-shaped aperture in the shutters. Unclosing one of the leaves, the old woman admitted enough daylight to guide Aurelia to a couch against the wall, saying, "You can wait there till I see to your bed. And you'll be wanting supper too!" she added in a tone of infinite disgust.
"O never mind supper, if I can only go to bed," sighed Aurelia, sinking on the couch as the old woman hobbled off. Lassitude and exhaustion had brought her to a state like annihilation--unable to think or guess, hope or fear, with shoes hurting her footsore feet, a stiff dress cramping her too much for sleep, and her weary aching eyes gathering a few impressions in a passive way. On the walls hung dimly seen portraits strangely familiar to her. The man in a green dressing gown with floating hair had a face she knew; so had the lady in the yellow ruff. And was that not the old crest, the Delavie butterfly, with the motto, Ma Vie et ma Mie, carved on the mantelpiece? Thus she knew that she must be in Delavie House, and felt somewhat less desolate as she recognised several portraits as duplicates of those at the Great House at Carminster, and thought they looked at her in pity with their eyes like her father's. The youngest son in the great family group was, as she knew, an Amyas, and he put her in mind of her own. Oh, was he her own, when she could not tell whether those great soft, dark-grey eyes that looked so kindly on her had descended to the young baronet? She hoped not, for Harriet and she had often agreed that they presaged the fate of that gallant youth, who had been killed by Sir Bevil Grenville's side. He must have looked just as Sir Amyas did, lying senseless after the hurt she had caused.