The sun had gone down full four hours, and it was later than most
travellers would like it to be for finding themselves outside the walls
of Rome, when Mr Dorrit's carriage, still on its last wearisome
stage, rattled over the solitary Campagna. The savage herdsmen and
the fierce-looking peasants who had chequered the way while the light
lasted, had all gone down with the sun, and left the wilderness
blank.
At some turns of the road, a pale flare on the horizon, like an
exhalation from the ruin-sown land, showed that the city was yet far
off; but this poor relief was rare and short-lived. The carriage dipped
down again into a hollow of the black dry sea, and for a long time there
was nothing visible save its petrified swell and the gloomy sky.
Mr Dorrit, though he had his castle-building to engage his mind, could
not be quite easy in that desolate place. He was far more curious, in
every swerve of the carriage, and every cry of the postilions, than he
had been since he quitted London. The valet on the box evidently quaked.
The Courier in the rumble was not altogether comfortable in his mind. As
often as Mr Dorrit let down the glass and looked back at him (which was
very often), he saw him smoking John Chivery out, it is true, but still
generally standing up the while and looking about him, like a man who
had his suspicions, and kept upon his guard. Then would Mr Dorrit,
pulling up the glass again, reflect that those postilions were
cut-throat looking fellows, and that he would have done better to have
slept at Civita Vecchia, and have started betimes in the morning.
But, for all this, he worked at his castle in the intervals.
And now, fragments of ruinous enclosure, yawning window-gap and crazy
wall, deserted houses, leaking wells, broken water-tanks, spectral
cypress-trees, patches of tangled vine, and the changing of the track to
a long, irregular, disordered lane where everything was crumbling away,
from the unsightly buildings to the jolting road--now, these objects
showed that they were nearing Rome.
And now, a sudden twist and stoppage
of the carriage inspired Mr Dorrit with the mistrust that the brigand
moment was come for twisting him into a ditch and robbing him; until,
letting down the glass again and looking out, he perceived himself
assailed by nothing worse than a funeral procession, which came
mechanically chaunting by, with an indistinct show of dirty vestments,
lurid torches, swinging censers, and a great cross borne before a
priest.
He was an ugly priest by torchlight; of a lowering aspect, with
an overhanging brow; and as his eyes met those of Mr Dorrit, looking
bareheaded out of the carriage, his lips, moving as they chaunted,
seemed to threaten that important traveller; likewise the action of
his hand, which was in fact his manner of returning the traveller's
salutation, seemed to come in aid of that menace. So thought Mr Dorrit,
made fanciful by the weariness of building and travelling, as the priest
drifted past him, and the procession straggled away, taking its dead
along with it.