She was exactly the same as when they had parted, just as handsome, just

as scornful, just as repressed. She manifested no surprise in seeing

them, nor any other emotion. She requested them to be seated; and

declining to take a seat herself, at once anticipated any introduction

of their business. 'I apprehend,' she said, 'that I know the cause of your favouring me

with this visit. We may come to it at once.'

'The cause then, ma'am,' said Mr Meagles, 'is Tattycoram.'

'So I supposed.' 'Miss Wade,' said Mr Meagles, 'will you be so kind as to say whether you

know anything of her?' 'Surely. I know she is here with me.'

'Then, ma'am,' said Mr Meagles, 'allow me to make known to you that I

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shall be happy to have her back, and that my wife and daughter will

be happy to have her back. She has been with us a long time: we don't

forget her claims upon us, and I hope we know how to make allowances.'

'You hope to know how to make allowances?' she returned, in a level,

measured voice. 'For what?' 'I think my friend would say, Miss Wade,'

Arthur Clennam interposed,

seeing Mr Meagles rather at a loss, 'for the passionate sense that

sometimes comes upon the poor girl, of being at a disadvantage. Which

occasionally gets the better of better remembrances.'

The lady broke into a smile as she turned her eyes upon him. 'Indeed?'

was all she answered. She stood by the table so perfectly composed and still after this

acknowledgment of his remark that Mr Meagles stared at her under a sort

of fascination, and could not even look to Clennam to make another move.

After waiting, awkwardly enough, for some moments, Arthur said: 'Perhaps

it would be well if Mr Meagles could see her, Miss Wade?'

'That is easily done,' said she. 'Come here, child.' She had opened a

door while saying this, and now led the girl in by the hand. It was

very curious to see them standing together: the girl with her disengaged

fingers plaiting the bosom of her dress, half irresolutely, half

passionately; Miss Wade with her composed face attentively regarding

her, and suggesting to an observer, with extraordinary force, in her

composure itself (as a veil will suggest the form it covers), the

unquenchable passion of her own nature.

'See here,' she said, in the same level way as before. 'Here is your

patron, your master. He is willing to take you back, my dear, if you are

sensible of the favour and choose to go. You can be, again, a foil to

his pretty daughter, a slave to her pleasant wilfulness, and a toy in

the house showing the goodness of the family. You can have your droll

name again, playfully pointing you out and setting you apart, as it is

right that you should be pointed out and set apart. (Your birth, you

know; you must not forget your birth.) You can again be shown to this

gentleman's daughter, Harriet, and kept before her, as a living reminder

of her own superiority and her gracious condescension. You can recover

all these advantages and many more of the same kind which I dare say

start up in your memory while I speak, and which you lose in taking

refuge with me--you can recover them all by telling these gentlemen how

humbled and penitent you are, and by going back to them to be forgiven.

What do you say, Harriet? Will you go?'




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