There was a grave clock, ticking somewhere up the staircase; and
there was a songless bird in the same direction, pecking at his cage, as
if he were ticking too. The parlour-fire ticked in the grate. There was
only one person on the parlour-hearth, and the loud watch in his pocket
ticked audibly.
The servant-maid had ticked the two words 'Mr Clennam' so softly that
she had not been heard; and he consequently stood, within the door
she had closed, unnoticed. The figure of a man advanced in life, whose
smooth grey eyebrows seemed to move to the ticking as the fire-light
flickered on them, sat in an arm-chair, with his list shoes on the
rug, and his thumbs slowly revolving over one another. This was old
Christopher Casby--recognisable at a glance--as unchanged in twenty
years and upward as his own solid furniture--as little touched by the
influence of the varying seasons as the old rose-leaves and old lavender
in his porcelain jars.
Perhaps there never was a man, in this troublesome world, so troublesome
for the imagination to picture as a boy. And yet he had changed very
little in his progress through life. Confronting him, in the room in
which he sat, was a boy's portrait, which anybody seeing him would have
identified as Master Christopher Casby, aged ten: though disguised with
a haymaking rake, for which he had had, at any time, as much taste or
use as for a diving-bell; and sitting (on one of his own legs) upon a
bank of violets, moved to precocious contemplation by the spire of a
village church. There was the same smooth face and forehead, the same
calm blue eye, the same placid air. The shining bald head, which looked
so very large because it shone so much; and the long grey hair at its
sides and back, like floss silk or spun glass, which looked so very
benevolent because it was never cut; were not, of course, to be seen in
the boy as in the old man. Nevertheless, in the Seraphic creature with
the haymaking rake, were clearly to be discerned the rudiments of the
Patriarch with the list shoes.
Patriarch was the name which many people delighted to give him.
Various old ladies in the neighbourhood spoke of him as The Last of the
Patriarchs. So grey, so slow, so quiet, so impassionate, so very bumpy
in the head, Patriarch was the word for him. He had been accosted in the
streets, and respectfully solicited to become a Patriarch for painters
and for sculptors; with so much importunity, in sooth, that it would
appear to be beyond the Fine Arts to remember the points of a Patriarch,
or to invent one. Philanthropists of both sexes had asked who he was,
and on being informed, 'Old Christopher Casby, formerly Town-agent to
Lord Decimus Tite Barnacle,' had cried in a rapture of disappointment,
'Oh! why, with that head, is he not a benefactor to his species! Oh!
why, with that head, is he not a father to the orphan and a friend to
the friendless!' With that head, however, he remained old Christopher
Casby, proclaimed by common report rich in house property; and with that
head, he now sat in his silent parlour. Indeed it would be the height of
unreason to expect him to be sitting there without that head.