Amid all this lamplight, gilding, color, wealth, and beauty, Lucy Audley sat down on a low seat by the fire to think.
If Mr. Holman Hunt could have peeped into the pretty boudoir, I think the picture would have been photographed upon his brain to be reproduced by-and-by upon a bishop's half-length for the glorification of the pre-Raphaelite brotherhood. My lady in that half-recumbent attitude, with her elbow resting on one knee, and her perfect chin supported by her hand, the rich folds of drapery falling away in long undulating lines from the exquisite outline of her figure, and the luminous, rose-colored firelight enveloping her in a soft haze, only broken by the golden glitter of her yellow hair--beautiful in herself, but made bewilderingly beautiful by the gorgeous surroundings which adorn the shrine of her loveliness. Drinking-cups of gold and ivory, chiseled by Benvenuto Cellini; cabinets of buhl and porcelain, bearing the cipher of Austrain Marie-Antoinette, amid devices of rosebuds and true-lovers' knots, birds and butterflies, cupidons and shepherdesses, goddesses, courtiers, cottagers, and milkmaids; statuettes of Parian marble and biscuit china; gilded baskets of hothouse flowers; fantastical caskets of Indian filigree-work; fragile tea-cups of turquoise china, adorned by medallion miniatures of Louis the Great and Louis the Well-beloved, Louise de la Valliere, Athenais de Montespan, and Marie Jeanne Gomard de Vaubernier: cabinet pictures and gilded mirrors, shimmering satin and diaphanous lace; all that gold can buy or art devise had been gathered together for the beautification of this quiet chamber in which my lady sat listening to the mourning of the shrill March wind, and the flapping of the ivy leaves against the casements, and looking into the red chasms in the burning coals.
I should be preaching a very stale sermon, and harping upon a very familiar moral, if I were to seize this opportunity of declaiming against art and beauty, because my lady was more wretched in this elegant apartment than many a half-starved seamstress in her dreary garret. She was wretched by reason of a wound which lay too deep for the possibility of any solace from such plasters as wealth and luxury; but her wretchedness was of an abnormal nature, and I can see no occasion for seizing upon the fact of her misery as an argument in favor of poverty and discomfort as opposed to opulence. The Benvenuto Cellini carvings and the Sevres porcelain could not give her happiness, because she had passed out of their region. She was no longer innocent; and the pleasure we take in art and loveliness being an innocent pleasure, had passed beyond her reach. Six or seven years before, she would have been happy in the possession of this little Aladdin's palace; but she had wandered out of the circle of careless, pleasure seeking creatures, she had strayed far away into a desolate labyrinth of guilt and treachery, terror and crime, and all the treasures that had been collected for her could have given her no pleasure but one, the pleasure of flinging them into a heap beneath her feet and trampling upon them and destroying them in her cruel despair.