We drove back to Helen's house, circling the block once for any sign of Gilbert. None of us knew what kind of car he was driving, but we kept an eye out, thinking we might spot him lingering in the shadows or sitting in a parked vehicle. Ray left his car in the cinder alleyway that ran behind his mother's place. We went through the backyard to the darkened rear entrance. None of us had thought about leaving lights on, so the house was pitch black. Ray went in first while Helen and I huddled on the back steps off the utility porch. Helen was still supporting herself with her baseball bat, which she'd apparently adopted as a permanent prop. All across the neighboring yards, I could see the towering shapes of winter-bare trees against the light-polluted November sky. Branches rattled in the wind. I was shivering by the time he'd turned on lamps and overhead lights and let us in. We waited in the kitchen while he checked the front rooms and the unused bedroom upstairs.
We'd been gone for less than an hour, but the house already seemed to smell dank with neglect. The bulb in the kitchen threw down a harsh, unflattering light. The patch of cardboard in the kitchen window showed a gap at one edge. Helen worked her way around the room, from the pantry to the refrigerator, taking out items for a makeshift supper. She moved with confidence, though I could see that she was counting steps. Ray and I pitched in, saying little or nothing, all of us unconsciously waiting for the phone to ring. Helen didn't have an answering machine, so there was no point in wondering if Henry or Gilbert had called in our absence.
We sat down to a meal of bacon and scrambled eggs, potatoes fried in bacon grease, leftover fried apples and onions, and homemade biscuits with homemade strawberry jam. Too bad she hadn't found a way to fry the biscuits instead of baking them. Despite the cholesterol overdose, everything we ate was exquisite. So this is what grandmothers do, I thought. I had, by then, abandoned any hope of getting home that day. It was still only Monday. I had all of Tuesday and Wednesday to catch a plane. In the meantime, I was tired of feeling stressed out about the issue. Why get my knickers in a twist? I'd do what I could here and be on my way.
After supper, Helen settled down in her bedroom with the TV on. Ray got busy with the dishes while I cleared the kitchen table. I was in the process of wiping down the surface, moving aside the sugar bowl, the salt and pepper shakers, when I noticed the sympathy card Johnny Lee had sent. Helen had apparently left it on the table, anchored by the sugar bowl. I read the greeting again, holding it slanted against the light.
Ray said, "What's that?"
"The card Johnny sent. I was just checking the message inside. The verse looks like it's been typed."
"Read it to me again," he said.
"'And I will give unto thee the keys of the kingdom of heaven: and whatsoever thou shalt bind on earth shall be bound in heaven: and whatsoever thou shalt loose on earth shall be loosed in heaven. Matthew 16:19. Thinking of you in your hour of loss.' I think this is one of those blank cards where you write in the greeting yourself."
"That makes sense. If the verse was meant as a secret message, how's he going to find a card with that particular quote? He almost had to buy a blank and fill it in himself."
I stared at the Bible verse. "Maybe the M550 stands for Matthew chapter five, verse fifty," I suggested.
"Matthew five is the Sermon on the Mount. Doesn't have fifty verses, only forty-eight." He glanced at me, smiling self-consciously. "That's the other thing I did in prison besides boning up on crime. I was part of a Bible study group on Monday nights."
"You're a man of many surprises."
"I like to think so," he said.
I turned the card over and studied the black-and-white photograph pasted on the front. The photo showed the faded image of a graveyard in snow. I picked at the loose edge, peering at the card stock under it. The print had been glued or pasted over a standard commercial picture of the ocean at sunset. I peeled it off and checked the back, hoping for some kind of handwritten note. The print itself was four inches by six, processed on regular Kodak paper, matte finish, no border. Aside from the word Kodak marching across the back, the rest was blank. "You think this is a new photograph reprinted from an old neg? Or maybe a new photo reproduced from an old one?"
"What difference does it make?"
I shrugged. "Well, I don't think a picture of the ocean at sunset tells us anything. Maybe the keys aren't related. Maybe the photo is the message and the keys are a diversionary tactic."
He took the card and moved to the table, holding it to the light as I had, examining the photograph. I peeked over his shoulder. All the headstones looked old, the ornate lettering softened by rain and sanded by harsh winter snows. There were five shorter headstones and three larger monuments of the lamb and angel school. Even the smaller markers, probably granite or marble, were carved with bas-relief leaves and scrolls, crosses, doves. The dominant monument was a white marble obelisk probably twelve feet tall, mounted on a granite pedestal with the name PELISSARO visible. All of the surrounding trees were mature, though barren of leaves. A thin layer of snow covered the ground. One cluster of headstones was enclosed with iron fencing, and I could see a section of stone wall to the right.