"When the cold, gray winter sun had set the next night, I was awake, feeling the tingling numbness leave me soon, as it does in winter, feeling the dark, living things that inhabited the coffin scurrying around me, fleeing my resurrection. I emerged slowly under the faint moon, savoring the coldness, the utter smoothness of the marble slab I shifted to escape. And, wandering out of the graves and out of the cemetery, I went over a plan in my mind, a plan on which I was willing to gamble my life with the powerful freedom of a being who truly does not care for that life, who has the extraordinary strength of being willing to die.
"In a kitchen garden I saw something, something that had only been vague in my thoughts until I had my hands on it. It was a small scythe, its sharp curved blade still caked with green weeds from the last mowing. And once I'd wiped it clean and run my finger along the sharp blade, it was as if my plan came clear to me and I could move fast to my other errands: the getting of a carriage and a driver who could do my bidding for days-dazzled by the cash I gave him and the promises of more; the removing of my chest from the Hotel Saint-Gabriel to the inside of that carriage; and the procuring of all the other things which I needed. And then there were the long hours of the night, when I could pretend to drink with my driver and talk with him and obtain his expensive cooperation in driving me at dawn from Paris to Fontainebleau. I slept within the carriage, where my delicate health required I not be disturbed under any circumstances -this privacy being so important that I was more than willing ,to add a generous sum to the amount I was already paying him simply for his not touching even the door handle of the carriage until I emerged from it.
"And when I was convinced he was in agreement and quite drank enough to be oblivious to almost everything but the gathering up of the reins for the journey for Fountainebleau, we drove slowly, cautiously, into the street of the Theatre des Vampires and waited some distance away for the sky to begin to grow light.
"The theater was shut up and locked against the coming day. I crept towards it when the air and the light told me I had at most fifteen minutes to execute my plan. I knew that, closeted far within, the vampires of the theater were in their coffins already. And that even if one late vampire lingered on the verge of going to bed, he would not hear these first preparations. Quickly I put pieces of wood against the bolted doors. Quickly I drove in the nails, which then locked these doors from the outside. A passer-by took some note of what I did but went on, believing me perhaps to be boarding up the establishment with the authority of the owner. I didn't know. I did know, however, that before I was finished I might encounter those ticket-sellers, those ushers, those men who swept up after, and might well remain inside to guard the vampires in their daily sleep.
"It was of those men I was thinking as I led the carriage up to Armand's alley and left it there, taking with me two small barrels of kerosene to Armand's door.
"The key admitted me easily as rd hoped, and once inside the lower passage, I opened the door of his cell to find he was not there. The coffin was gone. In fact, everything was gone but the furnishings, including the dead boy's enclosed bed. Hastily I opened one barrel and, rolling the other before me towards the stairs, I hurried along, splashing the exposed beams with kerosene and flinging it on the wooden doors of the other cells. The smell of it was strong, stronger and more powerful than any sound I might have made to alert anyone. And, though I stood stark still at the stairs with the barrels and the scythe, listening, I heard nothing, nothing of those guards I presumed to be there, nothing of the vampires themselves. And clutching the handle of the scythe I ventured slowly upwards until I stood in the door of the ballroom. No one was there to see me splash the kerosene on the horsehair chairs or on the draperies' or to see me hesitate just for an instant at that doorway of the small yard where Madeleine and Claudia had been killed. Oh, how I wanted to open that door. It so tempted me that for a minute I almost forgot my plan. I almost dropped the barrels and turned the knob. But I could see the light through the cracks of the old wood of the door. And I knew I had to go on. Madeleine and Claudia were not there. They were dead. And what would I have done had I opened that doorway, had I been confronted again with those remains, that matted, disheveled golden hair? There was no time, no purpose. I was running through dark corridors I hadn't explored before, bathing old wooden doors with the kerosene, certain that the vampires lay closeted within, rushing on cat feet into the theater itself, where a cold, gray light, seeping from the bolted front entrance, sped me on to fling a dark -stain across the great velvet stage curtain, the padded chairs, the draperies of the lobby doors.
"And finally the barrel was empty and thrown away, and I was pulling out the crude torch I'd made, putting my match to its kerosene-drenched rags, and setting the chairs alight, the flames licking their thick silk and padding as I ran towards the stage and sent the fire rushing up that dark curtain into a cold, sucking draft.
"In seconds the theater blazed as with the light of day, and the whole frame of it seemed to creak and groan as the fire roared up the walls, licking the great proscenium arch, the plaster curlicues of the overhanging boxes. But I had no time to admire it, to savor the smell and the sound of it, the sight of the nooks and crannies coming to light in the fierce illumination that would soon consume them. I was geeing to the lower floor again, thrusting the torch into the horsehair couch of the ballroom, into the curtains, into anything that would burn.
"Someone thundered on the boards above-in rooms I'd never seen. And then I heard the unmistakable opening of a door. But it was too late, I told myself, gripping both the scythe and the torch. The building was alight. They would be destroyed. I ran for the stairs, a distant cry rising over the crackling and roaring of the flames, my torch scraping the kerosene-soaked rafters above me, the flames enveloping the old wood, curling against the damp ceiling. It was Santiago's cry, I was sure of it; and then, as I hit the lower floor, I saw him above, behind me, coming down the stairs, the smoke filling the stairwell around him, his eyes watering, his throat thickened with his choking, his hand out towards me as he stammered,'You... you... damn you!' And I froze, narrowing my eyes against the smoke, feeling the water rising in them, burning in them, but never letting go of his image for an instant, the vampire using all his power now to fly at me with such speed that he would become invisible. And as the dark thing that was his clothes rushed down, I swung the scythe and saw it strike his neck and felt the weight of his neck and saw him fall sideways, both hands reaching for the appalling wound. The air was full of cries, of screams, and a white face loomed above Santiago, a mask of terror. Some other vampire ran through the passage ahead of me towards that secret alleyway door. But I stood there poised, staring at Santiago, seeing him rise despite the wound. And I swung the scythe again, catching him easily. And there was no wound. Just two hands groping for a head that was no longer there.
"And the head, blood coursing from the torn neck, the eyes staring wild under the flaming rafters, the dark silky hair matted and wet with blood, fell at my feet. I struck it hard with my boot, I sent it flying along the passage. And I ran after it; the torch and the scythe thrown aside as my arms went up to protect me from the blaze of white light that flooded the stairs to the alley.
"The rain descended in shimmering needles into my eyes, eyes that squinted to see the dark outline of the carriage flicker against the sky. The slumped driver straightened at my hoarse command, his clumsy hand going instinctively for the whip, and the carriage lurched as I pulled open the door, the horses driving forward fast as I grappled with the lid of the chest, my body thrown roughly to one side, my burnt hands slipping down into the cold protecting silk, the lid coming down into concealing darkness.
"The pace of the horses increased driving away from the corner of the burning building. Yet I could still smell the smoke; it choked me; it burnt my eyes and my lungs, even as my hands were burnt and my forehead was burnt from the first diffused light of the sun.
"But we were driving on, away from the smoke and the cries. We were leaving Paris. I had done it. The Theatre des Vampires was burning to the ground,
"And as I felt my head fall back, I saw Claudia and Madeleine again in one another's arms in that grin yard, and I said to them softly, bending down to the soft heads of hair that glistened in the candlelight,'I couldn't take you away. I couldn't take you. But they will lie ruined and dead all around you. If the fire doesn't consume them, it will be the sun. If they are not burnt out, then it will be the people who will come to fight the fire who will find them and expose them to the light of day. But I promise you, they will all die as you have died, everyone who was closeted there this dawn will die. And they are the only deaths I have caused in my long life which are both exquisite and good.' "
Two nights later I returned. I had to see that rain-flooded cellar where every brick was scorched, crumbling, where a few skeletal rafters jabbed at the sky like stakes. Those monstrous murals that once enclosed the ballroom were blasted fragments in the rubble, a painted face here, a patch of angel's wing there, the only identifiable things that remained.
"With the evening newspapers, I pushed my way to the back of a crowded little theater cafe across the street; and there, under the cover of the dim gas lamps and thick cigarsmoke, I read the accounts of the holocaust. Few bodies were found in the burnt-out theater, but clothing and costumes had been scattered everywhere, as though the famous vampire mummers had in fact vacated the theater in haste long before the fire. In other words, only the younger vampire had left their bones; the ancient ones had suffered total obliteration. No mention of an eye-witness or a surviving victim. How could there have been?
"Yet something bothered me considerably. I did not fear any vampires who had escaped. I had no desire to hunt them out if they had. That most of the crew had died I was certain. But why had there been no human guards? I was certain Santiago had mentioned guards, and I'd supposed them to be the ushers and doormen who staffed the theater before the performance. And I had even been prepared to encounter them with my scythe. But they had not been there. It was strange. And my mind was not entirely comfortable with the strangeness.
"But, finally, when I put the papers aside and sat thinking these things over, the strangeness of it didn't matter. What mattered was that I was more utterly alone in the world than I had ever been in all my life. That Claudia was gone beyond reprieve. And I had less reason to live than I'd ever had, and less desire.
"And yet my sorrow. did not overwhelm me, did not actually visit me, did not make of me the wracked and desperate creature I might have expected to become. Perhaps it was not possible to sustain the torment I'd experienced when I saw Claudia's burnt remains. Perhaps it was not possible to know that and exist over any period of time. I wondered vaguely, as the hours passed, as the smoke of the cafe grew thicker and the faded curtain of the little lamplit stage rose and fell, and robust women sang there, the light glittering on their paste jewels, their rich, soft voices often plaintive, exquisitely sad-I wondered vaguely what it would be to feel this loss, this outrage, and be justified in it, be deserving of sympathy, of solace. I would not have told my woe to a living creature. My own tears meant nothing to me.
"Where to go then, if not to die? It was strange how the answer came to me. Strange how I wandered out of the cafe then, circling the ruined theater, wandering finally towards the broad Avenue Napoleon and following it towards the palace of the Louvre. It was as if that place called to me, and yet I had never been inside its walls. I'd passed its long facade a thousand times, wishing that I could live as a mortal man for one day to move through those many rooms and see those many magnificent paintings. I was bent on it now, possessed only of some vague notion that in works of art I could find some solace while bringing nothing of death to what was inanimate and yet magnificently possessed of the spirit of life itself.
"Somewhere along the Avenue Napoleon, I heard the step behind me which I knew to be Armand's. He was signaling, letting me know that he was near. Yet I did nothing other than slow my pace and let him fall into step with me, and for a long while we walked, saying nothing. I dared not look at him. Of course, I'd been thinking of him all the while, and how if we were men and Claudia had been my love I might have fallen helpless in his arms finally, the need to share some common grief so strong, so consuming. The dam threatened to break now; and yet it did not break. I was numbed and I walked as one numbed.
"'You know what I've done,' I said finally. We had turned off the avenue and I could see ahead of me the long row of double columns on the facade of the Royal Museum.'You removed your coffin as I warned you. '
"'Yes,' he answered. There was a sudden, unmistakable comfort in the sound of his voice. It weakened me. But I was simply too remote from pain, too tired.
"'And yet you are here with me now. Do you mean to avenge them?'
"'No,' he said.
"'They were your fellows, you were their leader,' I said.'Yet you didn't warn them I was out for them, as I warned you?'
"'No,' he said.
"'But surely you despise me for it. Surely you respect some rule, some allegiance to your own kind.'
"'No,' he said softly.
"It was amazing to me how logical his response was, even though I couldn't explain it or understand it.
"And something came clear to me out of the remote regions of my own relentless considerations.'There were guards; there were those ushers who slept in the theater. Why weren't they there when I entered? Why weren't they there to protect the sleeping vampires?'
"'Because they were in my employ and I discharged them. I sent them away,' Armand said.
"I stopped. He showed no concern at my facing him, and as soon as our eyes met I wished the world were not one black empty ruin of ashes and death. I wished it were fresh and beautiful, and that we were both living and had love to give each other.'You did this, knowing what I planned to do?
"'Yes,' he said.
"'But you were their leader! They trusted you. They believed in you. They lived with you!' I said.'I don't understand you... why... ?'
"'Think of any answer you like,' he said calmly and sensitively, as if he didn't wish to bruise me with any accusation or disdain, but wanted me merely to consider this literally.'I can think of many. Think of the one you need and believe it. It's as likely as any other. I shall give you the real reason for what I did, which is the least true: I was leaving Paris. The theater belonged to me. So I discharged them.'
"'But with what you knew... '
"'I told you, it was the actual reason and it was the least true,' he said patiently.
"'Would you destroy me as easily as you let them be destroyed?' I demanded.
"'Why should I?' he asked.
"'My God,' I whispered.
"'You're much changed,' he said.'But in a way, you are much the same.'
"I walked on for a while and then, before the entrance to the Louvre, I stopped. At first it seemed to me that its many windows were dark and silver with the moonlight and the thin rain. But then I thought I saw a faint light moving within, as though a guard walked among the treasures. I envied him completely. And I fixed my thoughts an him obdurately, that guard, calculating how a vampire might get to him, how take his life and his lantern and his keys. The plan was confusion. I was incapable of plans. I had made only one real plan in my life, and it was finished.
"And then finally I surrendered. I turned to Armand again and let my eyes penetrate his eyes, and let him draw close to me as if he meant to make me his victim, and I bowed my head and felt his firm arm around my shoulder. And, remembering suddenly and keenly Claudia's words, what were very nearly her last . words -that admission that she knew that I could love Armand because I had been able to love even her-those words struck me as rich and ironical, more filled with meaning than she could have guessed.
"'Yes,' I said softly to him,'that is the crowning evil, that we can even go so far as to love each other, you and I. And who else would show us a particle of love, a particle of compassion or mercy? Who else, knowing us as we know each other, could do anything but destroy us? Yet we can love each other.'
"And for a long moment, he stood there looking at me, drawing nearer, his head gradually inclining to one side, his lips parted as if he meant to speak. But then he only smiled and shook his head gently to confess he didn't understand.
"But I wasn't thinking of him anymore. I had one of those rare moments when it seemed I thought of nothing. My mind had no shape. I saw that the rain had stopped. I saw that the air was clear and cold. That the street was luminous. And I wanted to enter the Louvre. I formed words to tell Armand this, to ask him if he might help me do what was necessary to have the Louvre till dawn.
"He thought it a very simple request. He said only he wondered why I had waited so long."
"We left Paris very soon after that. I told Armand that I wanted to return to the Mediterranean-not to Greece, as I had so long dreamed. I wanted to go to Egypt. I wanted to see the desert there and, more importantly, I wanted to see the pyramids and the graves of the kings. I wanted to make contact with those grave-thieves who know snore of the graves than do scholars, and I wanted to go down into the graves yet unopened and see the kings as they were buried, see those furnishings and works of art stored with them, and the paintings on their walls. Armand was more than willing. And we took leave of Paris early one evening by carriage without the slightest hint of ceremony.
"I had done one thing which I should note. I had gone back to my rooms in the hotel Saint-Gabriel. It was my purpose to take up some things of Claudia and Madeleine and put them into coffins and have graves prepared for them in the cemetery of Montmartre. I did not do this. I stayed a short while in the rooms, where all was neat and put right by the staff, so that it seemed Madeleine and Claudia might return at any time. Madeleine's embroidery ring lay with her bundles of thread on a chair-side table. I looked at that and at everything else, and my task seemed meaningless. So I left.
"But something had occurred to me there; or, rather, something I had already been aware of merely became clearer. I had gone to the Louvre that night to lay down my soul, to find some transcendent pleasure that would obliterate pain and make me utterly forget ever! myself. I'd been upheld in this. As I stood on the sidewalk before the doors of the hotel waiting for the carriage that would take me to meet Armand, I saw the people who walked there-the restless boulevard crowd of well-dressed ladies and gentlemen, the hawkers of papers, the carriers of luggage, the drivers of carriages-all these in a new light. Before, all art had held for me the promise of a deeper understanding of the human heart. Now the human heart meant nothing. I did not denigrate it. I simply forgot it. The magnificent paintings of the Louvre were not for me intimately connected with the hands that had painted them. They were cut loose and dead like children turned to stone. Like Claudia, severed from her mother, preserved for decades in pearl and hammered gold. Like Madeleine's dolls. And of course, like Claudia and Madeleine and myself, they could all be reduced to ashes."