The room is as bare, square, and characterless as other hotel rooms; nevertheless, its occupant may have left a hint or two of himself about, which would be of use to us. There are no trunks or other luggage; evidently he will be on his way again to-morrow. The window is shut, although the night is warm and clear. The door is carefully locked. The Doctor's garments, which appear to be of rather a jaunty and knowing cut, are lying disorderly about, on chair, table, or floor. He carries no watch; but under his pillow we see protruding the corner of a great leathern pocket-book, which might contain a fortune in bank-notes.
A couple of chairs are drawn up to the bedside, upon one of which stands a blown-out candle; the other supports an oblong, coffin-shaped box, narrower at one end than at the other, and painted black. Too small for a coffin, however; no human corpse, at least, is contained in it. But the frame that lies so quiet and motionless here, thrills, when awaked to life, with a soul only less marvellous than man's. In short, the coffin is a violin-case, and the mysterious frame the violin. The Doctor must have been fiddling overnight, after getting into bed; to the dissatisfaction, perhaps, of his neighbor on the other side of the partition.
Little else in the room is worthy notice, unless it be the pocket-comb which has escaped from the Doctor's waistcoat, and the shaving materials (also pocketable) upon the wash-stand. Apparently our friend does not stand upon much toilet ceremony. The room has nothing more of significance to say to us; so now we come to the room's occupant. Our eyes have got enough accustomed to the imperfect light to discern what manner of man he may be.
Barely middle-aged; or, at a second glance, he might be fifteen to twenty-five years older. His face retains the form of youth, yet wears a subtile shadow which we feel might be consistent even with extreme old age. The forehead is wide and low, supported by regular eyebrows; the face beneath long and narrow, of a dark and dry complexion. In sleep, open-mouthed, the expression is rather inane; though we can readily imagine the waking face to be not devoid of a certain intensity and comeliness of aspect, marred, however, by an air of guarded anxiety which is apparent even now.
We prattle of the dead past, and use to fancy that peace must dwell there, if nothing else. Only in the past, say we, is security from jostle, danger, and disturbance; who would live at his ease must number his days backwards; no charm so potent as the years, if read from right to left. Living in the past, prophecy and memory are at one; care for the future can harass no man. Throw overboard that Jonah, Time, and the winds of fortune shall cease to buffet us. And more to the same effect.