The concrete nature of the President's surroundings is at first perplexing, in view of our theory about his character. But it is evident that the world could never provide him with furniture corresponding to the texture of his mind; and hence he would instinctively lay hold of that which was most commonplace and non-committal. If he could realize nothing outside himself, he might at least remove whatever would distract him from inward contemplation. There is, however, one article in this little room which we must not omit to notice. It is a looking-glass; and it hangs, of all places in the world, right over Mr. MacGentle's standing-desk, in the embrasure of the window. As often as he looks up he beholds the reflection of his cultured and sad-lined physiognomy, with a glimpse of dusky wall beyond. Is he a vain man? His worst enemy, had he one, would not call him that. Nevertheless, Mr. MacGentle finds a pathetic comfort in this small mirror. No one, not even he, could tell wherefore; but we fancy it to be like that an exile feels, seeing a picture of his birthplace, or hearing a strain of his native music. The mirror shows him something more real, to his sense, than is anything outside of it!
Well, there stands the old gentleman, writing at this desk in the window. All men, they say, bear more or less resemblance to some animal; Mr. MacGentle, rather tall and slender, with his slight stoop, and his black broadcloth frock-coat buttoned closely about his waist, brings to mind a cultivated, grandfatherly greyhound, upon his hind legs. He has thick white hair, with a gentle curl in it, growing all over his finely moulded head. He is close-shaven; his mouth and nose are formed with great delicacy; his eyes, now somewhat faded, yet show an occasional reminiscence of youthful fire. The eyebrows are habitually lifted,--a result, possibly, of the growing infirmity of Mr. MacGentle's vision; but it produces an expression of half-plaintive resignation, which is rendered pathetic by the wrinkles across his forehead and the dejected lines about his delicate mouth.
He is dressed with faultless nicety and elegance, though in a fashion now out of date. Perhaps, in graceful recognition of the advance of age, he has adhered to the style in vogue when age first began to weigh upon his shoulders. He gazes mildly out from the embrasure of an upright collar and tall stock; below spreads a wide expanse of spotless shirt-front. His trousers are always gray, except in the heat of summer, when they become snowy white. They are uniformly too long; yet he never dispenses with his straps, nor with the gaiters that crown his gentlemanly shoes.