In a couple of minutes Balder was at the house, breathless: the figure was nowhere to be seen. He sprang across the broad portico, and hurried with sounding feet through the oaken hall. Should he go up stairs, or on to the conservatory? The sound of a softly shutting door from the latter direction decided him. The place looked as when he left it a half-hour before. Gnulemah's curtain had not been moved. The other door was closed; he ran up the steps between the granite sphinxes, and found it locked. Butting his shoulder against the panel with impatient force, the hinges broke from their rotten fastenings, and the door gave inwards. Balder stepped past it, and found himself in the sombre lamp-lit interior of the temple.
He could discern but little; the place seemed vast; the corners were veiled in profound shadow. At the farther end a huge lamp was suspended, by a chain from the roof, over a triangular altar of black marble. The architecture of the room was strange and massive as of Egyptian temples. Strong, dark colors met the eye on all sides; in the panels of the walls and distant ceiling fantastic devices showed obscurely forth. Nine mighty columns, of design like those in the doorway, were ranged along the walls, their capitals buried in the upward gloom.
Becoming used to the dusk, Balder now marked an array of colossal upright forms, alternating between the pillars. Their rough resemblance to human figures drew him towards one of them: it was an Egyptian sarcophagus covered with hieroglyphic inscriptions, and probably holding an immemorial mass of spiced flesh and rags. These silent relics of a prehistoric past seemed to be the only company present. In view of his uncle's well-known tastes, the nephew was not unprepared to meet these gentry.
But he was come to seek the living, not the dead. The figure that he had seen outside must be within these four walls, there being no other visible outlet besides the door through which Balder had entered. Was old Hiero Glyphic lurking in one of these darksome corners, or behind some thick-set column? The young man looked about him as sharply as he could, but nothing moved except the shadows thrown by the lamp, which was vibrating pendulum-like on its long chain.
He approached this lamp, his steps echoing on the floor of polished granite. What had set the thing swinging? It had a leisurely elliptical motion, as from a moderate push sideways. The lamp was wrought in bronze, antique of fashion and ornament. It had capacity for gallons of oil, and would burn for weeks without refilling. The altar beneath was a plain black marble prism, highly polished, resting upon a round base of alabaster. A handful of ashes crowned its top. Between the altar and the wall intervened a space of about seven feet.